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eae AT RALSTON SALE 


|Gower,’”’ from the collection of the 


| “The Approaching Storm.’’ Mrs. H. H. 


99° Paintings: Bang: Total of 
— $720,995—Canvas by Corot | 
Is Sold For $/, 500. Bhs a 


“The sale last eventne at the ‘Amerteain | 
Art Galleries of important’ paintings 
of the English, American, Dutch and; 
French Barbizon Schools to settle the, 
‘estate of the late Lieutenant William 
J. Ralston of the art firm of Louis |: 
Ralston & Sons of Fifth Avenue, New| 
York and Paris, brought $120,995 sa 
the ninety-nine numbers. i 

Whistler's portrait of Lady Archibald 
Campbell as ‘“‘Orlando’’ brought the 
highest price of the sale, $8,000, going’ 


to J. Y. Rittin.. ‘Les *Ruines du 
‘Chateau. de Pierrefonds,’’ by Corot, 
brought the second highest price, 
$7,500, going’ to N. Alexander. 

Mrs. R. W. Schuette paid $2,050 for 
Sir John Watson Gordon’s ‘‘Hon. _Mrs. 


Duke of Cambridge and that of Lord 
Palworth. ' 
Arthur W. Newton paid $1,800 for the 
Gilbert Stuart portrait of Isaac 
Van Der Beek of Paterson, N. J., and 
New York, and $1,300 for Mrs. Van Der 
Beek’s portrait. S. M. Campen ac- 
quired Anton Mauve’s “Sheep on a 
Gray Day,’’ from the Stotesbury col- 
lection, for $2,600. The Reynolds ‘por- 
trait of the Countess of Shipbrook was 
bid in for $2,600 by C. W. Andrews. 
L. M. Berry paid $2,600 for L’Her- 
mitte’s “‘Blanchisseuses au Bord dune 
Riviere.’’ 
| §. M. Campen paid $2,900 for Theaters 


Hill bid in Hoppner’s Mrs. Western 
for $2,900 and L. F. Hendricks paid 


$3,800 for Lawrence’s Lady Georgine 
Worth. ‘H. T. Russell, agent, bought 
ithe charming Romney portrait of Lady 
‘Mary Waldegrave for $3,800 and also 
bid in Jacques’s ‘‘The Shepherd” for 
$3,200. Rubens’s Archduke Albrecht of 
Austria from Lord Ailwyn’s collection 
i'went .for $5,700 to Robert Jackson. 
The.handsome Bol ‘Portrait of a 
Lady” brought $3,900, being acquired 
by A. E. Norman. Mrs. M. Howard 
paid $3,000 for Reynold’s ‘portrait of 
'F'rances Seymour, wife of John, Mar- 
quess of Granby. S. M. Camden paid | 
$4,800 for Hoppner’s portrait of Ewan 


Law. 

Cotes’s painting of Mrs. George 
Rogers of Southampton was acquired, 
by W. W. Slaman, agent, for $4,000. 


FREE PUBLIC EXHIBITION 


From Saturday » March 6 » Until Time of Sale 
Weekdays from g to 6 p.m. » Sunday 2 to 5 p.m. 


UNRESTRICTED PUBLIC SALE 
Friday » March 12 » Beginning at 8:15 p.m. 


29 


Exhibition and Sale at the 
AMERICAN ART GALLERIES 
MADISON AVENUE ¢ 56¢h to 57¢h STREET 
New York City 
1926 


IMPORTANT PAINTINGS 


OF THE ENGLISH + AMERICAN + FLEMISH 
DUTCH & FRENCH BARBIZON SCHOOLS 


Portraits of the XVIII Century British School, 
with Examples by Reynolds, Romney, Hoppner, 
Lawrence, Raeburn, Beechey, Cotes and others 
Dutch and Flemish Paintings of the XVII 
Century, Represented by Bol, Ravesteyn, Mtere- 
velt, and Rubens» A Group of French Barbizon 
Landscapes by Corot, Jacque, Cazin, Rousseau, 
Troyon, Diaz, Lhermitte » Portraits by Gilbert 
Stuart, Whistler and Others 


See ee eS 


sales Conducted by Mr. G. Bernet © Mr. Ht: A. Parere 


AMERICAN ART ASSOCIATION - INC. 
MANAGERS 


and Directs -All Details sof Mastration 
2 Mts Text and Type pe 


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S.u. Campen 
+ H. Block 
E.Born 
J.L.Parker 
Mrs .Blank 
J.L.Parker 
Mrs .J.H.Stanton 
R.L¢.Scofield 
H.M.Hancock 
Mrs.J.L.Jordan 
D.B.Lawrence 
E.H.Black 
Mrs .J.L.Jordan 
Mr .Roovers 
B.A.Cushman 
F.S.Kellogg 
N.Alexander 
Mrs.J.L.Jordan 
S.M.Campen 
Mrs.R.W.Schulte 

a Sailett «Haid: a 

A.E.Norman 

A.W.J.Glendenning 

N.Alexander 

A.W.J.Glendenning 

E.H.Block 

N.Alexander 

W.W.Seaman 

Mrs.J.L.Zordan 

Mrs .N.Howard 

H.M.Hancock 

Mrs.Roovers 

Mrs.M.H.Hill 

Dr.Smadbeck 

Mrs.R.W.Schulte 

S.M.Campen 

A.E.Norman 

F.S.Kellogg 

D.B.Lawrence 

Mr.Blank 

E.H.Block 

Walter Clark 

A.H.Norman 

A.J.Glendenning 
L.u.Berry 
E.H.Block 


lan 
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A.J.Glendenning 
Mrs.M.H.Hill 
Arthur’ W Newton 


@ sXe eer 

Awd. Glendenning 
5.M.Campen 
C.W.Andrews 
W.W.Seaman,agte 
L.M.Berry 
S.M.Campen 
Mrs.W.H.Hill 
Scott & Fowles 
Arthur W.Newton 
H.E.Russell,agt. 
H.E.Russell,agt. 
N.Alexander 
Robert Jackson 
Metropolitan Galls. 
A.E.Norman 

Mrs .M.Howard 
J.L.Cassin 
S.M.Campen 
R.J.Glendenning 
L.H.Knouthal 

Mrs .M.Howard 
Arthur W.Newton 
W.W.Seaman,agt. 
A.E.Norman 
Mrs.J.L.Jordan 
H.R.Hayes 
R.J-Glendenning 
Mrs.J.L.Jordan 
F.H.Crockard 


S.Serota 
J.Brummer 
A.EcMorman 
W.W.Seaman,agt. 
A.J.Walker 

Mrs .M.H.Hill 
W.W.Seaman,agt. 
Mrs.J.L.Jordan 
R.J.Glendenning 
F.H.Crockard 
A.J.Glendenning. 


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CONDITIONS OF SALE 


I. REJECTION OF BIDS: Any bid which is not commensurate with 
the value of the article offered, or which is merely a nominal or fractional 
advance, may be rejected by the auctioneer if in his judgment such bid would 
be likely to affect the sale injuriously. 


Il. THE BUYER: The highest bidder shall be the buyer, and if any 
dispute arises between two or more bidders, the auctioneer shall either decide 
the same or put up for re-sale the lot so in dispute. 


III. IDENTIFICATION AND DEPOSIT BY BUYER: The name of the 
buyer of each lot shall be given immediately on the sale thereof, and when so 
required, each buyer shall sign a card giving the lot number, amount for 
which sold, and his or her name and address. 

A aeoat at the actual time of the sale shall be made of all or such part 
of the purchase prices as may be required. 

If the two foregoing conditions are not complied with, the lot or lots so 
purchased may at the option of the auctioneer be put up again and re-sold. 


IV. RISK AFTER PURCHASE: Title passes upon the fall of the 
auctioneers hammer, and thereafter the property is at the purchaser’s risk, 
and neither the consignor nor the Association is responsible for the loss of, 
or any damage to any article by theft, fire, breakage, however occasioned, or 
any other cause whatsoever. 


V. DELIVERY OF PURCHASES: Delivery of any purchases will be 
made only upon payment of the total amount due for all purchases at the sale. 


VI. RECEIPTED BILLS: Goods will only be delivered on presentation 
of a receipted bill. A receipted bill presented by any person will be recog- 
nized and honored as an order by the buyer, directing the delivery to the 
bearer of the goods described thereon. If a receipted bill is lost before 
delivery of the property has been taken, the buyer should immediately notify 
the Association of such loss. 


VII. STORAGE IN DEFAULT OF PROMPT PAYMENT AND 
CALLING FOR GOODS: Articles not paid for in full and not called for by 
the purchaser or agent by noon of the day following that of the sale may 
be turned over by the Association to some carter to be carried to and stored 
in some warehouse until the time of the delivery therefrom to the pur- 
chaser, and the cost of such cartage and storage and any other charges will 
be charged against the purchaser and the risk of loss or damage occasioned 
by such removal or storage will be upon the purchaser. 

In any instance where the purchase bill has not been paid in full by 
noon of the day following that of the sale, the Association and the auctioneer 
reserve the right, any other stipulation fa these conditions of sale notwith- 
standing, in respect to any or all lots included in the purchase bill, at its or 
his option, either to cancel the sale thereof or to re-sell the same at public 
or private sale without further notice for the account of the buyer and te 
hold the buyer responsible for any deficiency and all losses and expenses sus- 
tained in so doing. 


VIII. SHIPPING: Shipping, boxing or wrapping of purchases is a busi- 
ness in which the Association is in no wise engaged, but the Association will, 


fiowever, afford to purchasers every facility for employing at current and 
reasonable rates carriers and packers; doing so, however, without any assump- 
tion of responsibility on its part for the acts and charges of the parties engaged 
for such service. 


[X. GUARANTY: The Association exercises great care to catalogue 
every lot correctly and endeavors therein and also at the actual time of sale 
to point out any error, detect or imperfection, but guaranty is not made either 
by the owner or the Association of the correctness of the description, genu- 
ineness, authenticity or condition of any lot and no sale will be set aside on 
account of any incorrectness, error of cataloguing or imperfection not noted 
or pointed out. Every lot is sold “as is” and without recourse. 

Every lot is on public exhibition one or more days prior to its sale, and 
the Association will give consideration to the opinion of any trustworthy expert 
to the effect that any lot has been incorrectly catalogued and in its judg- 
ment may thereafter sell the lot as catalogued or make mention of the opinion 
of such expert, who thereby will become responsible for such damage as might 
result were his opinion without foundation. 


X. RECORDS: The records of the auctioneer and the Association are 
in all cases. to be considered final and the highest bid shall in all cases be 
accepted by both buyer and seller as the value against which all claims for 
losses or damage shall lie. 


AI. BUYING ON ORDER: Buying or bidding by the Association for 
responsible parties on orders transmitted te it by mail, telegraph, or tele- 
phone, if conditions permit, will be faithfully attended to without charge or 
commission, Any purchases so made will be subject to the foregoing condi- 
tions of sale, except that, in the event of a purchase of a lot of one or more 
books by or for a purchaser who has not through himself or his agent been 
present at the exhibition or sale, the Association will permit such lot to be 
returned within ten days from the date of sale, and the purchase money will 
be refunded, if the lot differs from its catalogue description. 

Orders for execution by the Association should be given with such clear- 
ness as to leave no room for misunderstanding. Not only should the lot num- 
ber be given, but also the title, and bids should be stated to be so much for 
the lot, and when the lot consists of one or more volumes of books or objects 
of art, the bid per volume or piece should also be stated. If the one trans- 
mitting the order is unknown to the Association, a deposit must be sent or 
reference submitted. Shipping directions should also be given. 


PRICED CATALOGUES: Priced copies of the catalogue, or any session 


thereof, will be furnished by the Association at charges commensurate with 


the duties involved in copying the necessary information from the records of 
the Association. 


These conditions of sale cannot be altered except by the auctioneer or 
by an officer of the Association. 


AMERICAN ART ASSOCIATION, Inc. 


OTTO BERNET MANAGERS 
HIRAM H. PARKE 
AUCTIONEERS 


FOREWORD 


HE present important collection is placed on the market 

to liquidate the estate of the late Lieut. William Johns 

Ralston of Louis Ralston and Son of Fifth Avenue, New 

York, and 19, rue Caumartin, Paris, who died in January, 

1925. Mr. Louis Ralston, senior partner of the firm, 
is well known to the art world of New York. A great-great-grandson 
of James Pettigrew, lieutenant in the 11th Pennsylvania Infantry under 
Washington and sometime Governor of Pennsylvania, Mr. Ralston has 
been in business for over twenty-five years, formerly in the Old Windsor 
Arcade building at 567 Fifth Avenue, and in this connection, has par- 
ticipated in the building up of the collections of such men as the late 
Senator W. A. Clark of Montana, E. T. Stotesbury of Philadelphia, 
R. D. Evans of Boston and others; who have been indebted to him 
for counsel and guidance at a time when collecting in America was in 
its infancy. 

About ninety-five paintings will be on exhibition, falling into four 
main divisions. Ihe first is that of a remarkable series of portraits 
of the eighteenth century British School, amassed by the Messrs. Ral- 
ston over a long period of years and embracing the names of Rey- 
nolds, Romney, Hoppner, Lawrence, Raeburn, Beechey, Cotes and 
others, of which there may be singled out for distinction the fine Lady 
Mary Waldegrave, of George Romney, recorded in Ward and Roberts’ 
book, and of which a photograph is in the print room of the British 
Mseum, and the Sir Thomas Lawrence Countess of Blessington, an 
exquisite three-quarter length ere of one of the most remarkable 
women of her day. 

The second division is that of the Dutch and Flemish Schools of 
the seventeenth century, represented by Bol, Ravesteyn and Mierevelt, 
and Rubens’ magnificent Archduke Albrecht of Austria, in the Theuillier 
collection of The Hague in the seventeenth century and purchased from 
Lord Ailwyn, a variant of the remarkable picture in the Vienna Staats- 
museum. This is perhaps the most important Flemish portrait offered 
at auction within the last decade. 

A charming group of paintings of the French Barbizon School 
is headed by the outstanding Corot, Les Ruines du Chateau de Pierre- 
fonds (29 x 42) illustrated in Robaut, and at one time owned by the 


Georges Petit Galleries, together with examples by Jacque, Cazin, 
Rousseau, Trovon, Diaz, Lhermitte and others. 


The last division is that of the American School, with a pair of 


fine portraits by Gilbert Stuart of Mr. and Mrs. Isaac Van Der Beek. 
Isaac Van Der Beek (1743-1833) was married in 1767 at Paterson, 
N. J., and removed to New York after the Revolution, his picture 
descending in the family, until purchased from the great-granddaugh- 
ter of the sitters; it has been authenticated by the expert, Jonce Mc- 
~Gurck. Finally, a distinguished and graceful Whistler, Lady Archi- 
bald Campbell as Orlando, mentioned in the Pennells’ Life, is accom- 
panied by a characteristic letter from Joseph Pennell himself: “ * * * 
Of course the picture is genuine!” 


AMERICAN ART ASSOCIATION, Inc. 


CIEE Ar aber yin) eo 


ra hai ae a ‘ cnnpe mc oe —s 


EVENING SALE 
FRIDAY, MARCH 12, AT 8:15 O CLOCK 


Catalogue Numbers 1 to 99 Inclusive 


GC =D OLS) 


bo a | EMILIO SANCHEZ-PERRIER Jd 4. Merde 


/ SPANISH: 1853—1907 


mea hie DU-LAC 


A PATCH of water at the left with a boat moored at the side of the 
farther shore, overgrown with grass and extending in a curve of wood- 

land round into the middle distance. At the right, beneath a group of 
four birches with fluttering spring foliage, is the figure of a woman. 


Panel: Height, 834 inches; width, 6% inches. 


Signed at lower left, E. SANCHEZ PERRIER, and dated illegibly. 


(a JOHANN BARTHOLD JONGKIND | se 
Hoo - DurcH: 1822—1801 A 4 | w 


2, INLAND CANAL, HOLLAND 


ON the gray water in the foreground, a single-masted barge with furled 
sail; at the right, green fields with trees and cottages perched on the 
edge of the canal, and a high cart laden with grass standing still behind 
them. Across the background stretches the farther bank, with trees 
and a window touched with a reddish light from the bright sky. 


Height, 13 inches; length, 20 inches. 


Signed at lower left, JONGKIND, and dated 1866. 
Collection of Edward T. Stotesbury, Philadelphia. 


Purchased from the Schaus Galleries, New York. 


eet JEAN JACQUES HENNER a MK Meck 


FRENCH: 1829—1I905 


3. NYMPH 


Erect nude female figure facing left, the hands outstretched and 
clasped, the long brown hair streaming from the upturned head in the 
wind, before a background of brown cliff, with rocks at the right and a — 
vista of open blue water under a summer sky. ‘The flesh is starkly 
lighted from the front and softly and delicately modeled with deep 
shadow contrast. 

Panel: Height, 1334 inches, width, 9 inches. 


Signed at lower left, HENNER. 


Collection of Mrs. Hamilton Carhart, New York, 19243 M- $00 Nalele 


Ab -A NARCISSE VIRGILE DIAZ DE LA PENA 


Y, 
ff FRENCH: 1807—1876 aa a 
j 2 ee oO al is Oh RO BY Dees aia OH hs b ri mie [ | 


Roucu grassy landscape mounting to a ridge, with scattered vegetation 
and shrubs and the solitary figure of a peasant. A patch of ground in 
the centre is weirdly lighted from a night sky with heavy clouds screen- 
ing the moon. 

Height, 12% inches, ee 17 inches. 


Signed at lower left, N. Diaz, and dated 1864. 
Collection of I. Schiller, Paris. he tectabetnwo 


Purchased from William Permain, London. 


FS SIS. LOUIS EUGENE BOUDIN SM Earesfecr! 


FRENCH: 1824—1898 


5. HAVRE, FRANCE. 


THE gray river wends its way from the left foreground under the three 
arches of a bridge stretching across the middle distance, between a con- 
fused bulk of houses and smoking chimneys at the left and the town 
at the right concealed behind a shack in the foreground, before which 
the tow path is broken by patches of scattered grass. The cold expanse 
of the water identifies itself with the pale light of the morning sky. 


Height, 14% inches; length, 23 inches. 
Signed at lower right, E. BouDIN, and dated 1895. = 


: et 
a ; pk ye - ft, 
| Purchased from Tedesco Freres, Paris. ea lye 


: | 400 x F. CLAIRVAL 6.46. SNeck 


FRENCH: XIX CENTURY 


6. CARNATIONS 


BeroreE a gray background, a tall trumpet-shaped glass vase filled with 
crimson, pink, mauve and white carnations and feathery green foliage. 


Panel: Height, 26 inches; width, 17% inches. 


Signed at lower left, F. CLAIRVAL. 


00 = E, foced : 


CHARLES-FRANCOIS DAUBIGNY 


FRENCH: 1819—1878 J 
8 oud 
aw 


7. PAYSAGE AU TEMPS GRIS Ww 


In the foreground the smooth mirror of a brook, with green trees at 
the right and a small landing stage on the farther side. At the left, a 
yellow road runs away into the middleground beside a line of poplar 
trees in full green foliage; at the right, meadow country with pasturing 
cattle and a hazy tree-topped hill in the distance beneath a pale gray sky. 


Height, 18% inches; length, 26 inches. 


Signed at lower left, DAUBIGNY. 


From the John Levy Galleries. 


FOO 7 FRENCH: 1803—1860 


ALEXANDRE GABRIEL oe 4 : 


8. LA SORTIE Gg 


A DEFILE with trees at the left and the high white walls of an African 
town at the right surmounted by a cupola. Down through the gap is 
galloping a party of mounted Arabs, who have sallied out from the 
entrance in the right foreground and are directing their way towards 
the blue mountains glimpsed in the distance, under the sunlit clouds. 


Height, 21 inches; width, 1634 inches. 
Signed at lower right, DECAMPS. — 
Collection of E. T. Stotesbury, Philadelphia. 
Collection of Adolph E. Borie, Philadelphia.- vk <x. tus att 


650+ 


y 
M.K. 10-200 = 4, Rate p37500. mat! 1! O- ) 


3 LOUIS MOUCHAUT 7 | 
Va 8 Ya Wa, 


FRENCH: 1830—? 


fee HALT IN. THE* DESERT 


SANDY waste, with an oasis of palm trees in the right middle distance; 
in the foreground, a pool of water and green scrub vegetation. A scat- 
tered troupe of Arabs mounted on camels and armed with flint-lock 
rifles is dispersed over the plain at the left, preparing to encamp. 


Height, 16 inches; length, 32 inches. 


Signed at lower left, L. MoucHautT. 


G aad 


NARCISSE VIRGILE DIAZ DE LA PENA 


FRENCH: 1807—1876 


10. VACHES EN PATURE 


OPEN green meadows with a pool in the foreground ringed by trees, 
with six brown and white cows pasturing placidly at the left, looked after 
by an old peasant woman squatting on the ground. In the clear air 
the foliage stands out with Rousseauesque detail, in front of a cloudy 
sky and a rolling prospect of grass country. 


Height, 16 inches; length, 23% inches. 


Signed at lower left, N. Diaz, and dated 1862. aa a [d 


Purchased from the Georges Petit Galleries, Paris. 


FG. 508. £0 tn fo, ote S461- 19 Of - 


JULES DUPRE. ‘) 


3Oo — FRENCH: 1811—1889 I hh 


11. LANDSCAPE 


OPEN sandy country with a road in the foreground running pier ails 
away to the left; at the right, a group of trees encircling a low white 
walled barn before which is the crooked blasted trunk of a dead elm. In 
the middle distance scattered trees and figures, and on the horizon a 
windmill. 


Height, 18 inches; length, 22 inches. 


Signed at lower left, J. DUPRE. , ; 
James A. Hearn Collection, American Art Association, 11 8202- $98 | 


‘HENRI JOSEPH HARPIGNIES 


AEG 4 FRENCH: 1819—1916 AK. deafcta 


12. LANDSCAPE WITH A BRIDGE 


AT left and right, stony banks mounting into the gray sky and linked. 
by a domed arch of a stone bridge spanning a stream which crosses 
the middleground diagonally; in the foreground, three slender saplings, 
one at the left and two together at the right. Behind the bridge is the 
solid rounded bulk of dark foliage of a gigantic oak tree dominating the 
landscape. 


Height, 20 ee: length, 25% inches. 


Signed at lower left, H. HarpiGntrs, and dated 1892. 


Staats-Forbes Collection, London. 


HIPPOLYTE CAMILLE DELPY 
25"7 : A Ih. AAmuwock 


FRENCH: 1841—IQIO 


13. MATINEE DE PRINTEMPS, PRES DE VERNAY 


WIDE gray waters with a curving green bank at the left extending in a 
great sweep round into the right middle distance, with grass and a pyra- 
mid of trees, beside which are two small cottages in the centre of the 
scene. On the meadow in the foreground a woman and child driving 
geese, on the water occasional figures of men in boats. 


Height, 24 inches; length, 39 inches. 


Signed at lower right, H. C. DELpy, and dated 1905. 
a Signed on back of canvas, H. C. DELpy. 


Paris Salon, 1905. 


} 0 NARCISSE VIRGILE DIAZ DE LA PENA 


FRENCH: 1807—1876 \, \_s ov] 


14. THE FOREST vt 


A srarELy mass of sombre oaks throws into soft shadow the grass in 
the foreground; a barely divined path leads through them into the sun- 
shine, which is seen as patches of high light on the base of the trunks 
and on the track. Above the tree-tops at the left, the sky is filled with 
sun radiance. 


Height, 22 inches; length, 26 inches. 
Signed at lower left, N. D1Az. 


Union League Club, Philadelphia, 1899. 
Ashmead Collection, Philadelphia. 1919-$2-fil00 Helly » Tethaae 


MaS 7 


ROBERT LEVRAC TOURNIERES y y, 
FRENCH: 1668—1752 sone Lawned j 
15. PORTRAIT OF A LADY WITH A BLUE CLOAK ~ 


HALF-LENGTH figure, framed within an oval and facing the spectator, 
against a dark greenish background. The sitter is dressed in a neutral 
drab costume with white lace about the shoulders and holds loosely 
around her with the left hand, a flowing blue-green cloak. At the 
breast and in the looping of the sleeves are large drop pearls. — 


Height, 36 inches; width, 28 inches. 


Collection of Mme. Costanzo, Paris. 


Collection of Count de Ganay, Paris. 


THEOPHILE DE BOCK 


DuTcH: 1850—1904 


_ b00- E46 lieck 


J 16. THECOAR 


LOOKING down the rain-soaked road which starts from the foreground, 
there is at the right a patch of green grass and a red-roofed cottage 
in the shadow of a tall oak, its branches partly bare and thinly 
wrapped in brown and yellow leaves; underneath, the bent figure of an 
old peasant woman with a blue shawl. In the centre the road appears 
to run abruptly into a brown patch lighted by the sun, which is sensed 
behind the scattered clouds which cumber the sky. At the left, a birch 
and a patch of shrubbery. 7 eat 


Height, 28 inches; length, 39 inches. 
Signed at lower right, TH. DE Bock. 
From Vose Galleries, Boston. 


. «Gy fi. Leg 
Collection of Robert D. Evans, Boston: Jo Catéhanur 


GEORGES MICHEL 


[a FRENCH: 1763—1843 os des 


mee SANS EN CHEMIN 


A RUGGED landscape with masses of granite rock rising at the right and 
cut by a winding road, along which can be seen in the middle distance 
peasants herding cattle and sheep. In the central foreground the road 
crosses before old thatched farm buildings, and is crowded by a caravan 
of countrypeople with wagons, horses, sheep and cattle coming up 
towards the observer into the sunshine. At the left, a half-withered, 
ragged oak is patterned before the sky and overlooks a broad vista 
of open country with a glimpse of a lake at the beginning of the valley. 


Panel: Height, 20% inches; length, 27 inches. 


Purchased from the John Levy Galleries. 


FRENCH: 1843—1906 


Pere ee. GALANTE 


A FLOWERING wodland glade, with a party of cavaliers and ladies in a 
picnic in the shade of a tangle of leafage. Walking away from the 
eroup towards the right, is a gallant in black velvet, with dotted hat, 
accompanying a lady in lavender and white satin who is coquetting with 


a white blossom. 
Height, 24 inches; length, 32 inches. 


Signed at lower right, ADRIEN MoreEAUv. 


| GUSTAVE ADOLPHE WIEGAND 
150 T AMERICAN: 1870—_ “ ds p ( 4 


19. INDIAN SUMMER 


Tue background is a curtain of wooded hill under a pale sky eed 
with clouds; at its foot, the brown autumn country extends into the 
foreground, broken by a patch of forest at the right. A group of | 
three towering trees in the right foreground, their bark touched with 
white, shelters a small flock of sheep and the old woman herding them, 
and catches streaks and glints of sunlight in the clear afternoon. 


Height, 26 inches; length, 3h chen 


Signed at lower left, etree WIEGAND. 


HENRY WARD RANGER, N.A. 


| Koo AMERICAN: -1858—1916 Abily 


20. SKY, DUNES AND SEA 


A TURQUOISE sky is filled with billows of white cumulus cloud out- 
stretched over a bare sandy waste in the right foreground, changing to 
grassland i in the open middle distance at the left. eee at the right, 
the hazy blue ribbon of the ocean. j 


Height, 28 inches; length, 36 inches. 


Signed at lower left, H. W. RANGER, and dated 1906. 
Collection of Milton T. Evans, New York. to tatihanwe 


NARCISSE VIRGILE DIAZ DE LA PENA 
FRENCH: 1807—1876 


|  fb007 


21. LE FARDEAU 7 pA” oe 


A FOOT-PATH bisects the ground which rises at left and right in a con- 
fusion of stone boulders with russet-brown shrubbery and undergrowth, 
with a rugged oak at either side displaying gnarled branches and thin- 
ning brown leafage against the clouds and sky behind. Over the gap 
which parts the ridge, a peasant woman, carrying on her shoulder a 
heavy burden, is making her way painfully towards the spectator. 


Height, 21% inches; length, 25% inches. 


Signed at lower left, N. Daz. 
From Arnold & Tripp Galleries, Paris. 


Joor ADOLPHE CHARLES MARAIS 


FRENCH: 1850— Yim 


99, THE WHITE COW 


GREEN and brown grass pasture with two brown cows sitting in hem | 
long grass at the left, one with its head turned towards the spectator; 
in the foreground, a magnificent white beast seen in full profile to the 
left. Open country, with trees low down on the horizon. 


Height, 26 inches; length, 32 inches. 


Signed at lower left, AD. MARAIS. 


oy 
Qyoor JEAN-BAPTISTE CAMILLE Corot &4%. & 


FRENCH: 279021 875 3 ae pe 


23. LANDSCAPE AT. MORNING \\A) | 


A cCouNTRY lane disappears quickly between the long grasses which bor- 
der it on either side, curving away from the centre of the foreground 
into the left middle distance; the figures of a woman and child are mak- 
ing their way down it towards the red roofs of a cottage seen before 
the distant valley. At the right, the undergrowth is outstripped by 
the slender pliant trunks of birches thrusting feathery leafage into the 
cloudy gray sky. 

eight, 1§ inches; length, 10% inches. 


Signed at lower right, CoRor. 
Purchased from J. Croal Thomson, Barbizon House, London. 


A photograph of the above with endorsement of authentication, signed by Mr. Croal 
Thomson, will be given to the purchaser. 


(Illustrated ) 


& 


NING 


No. 23. Lanpscarpe AT Mor 


ot) 


(By Jean-Baptiste Camille Cor 


, 


FRITS THAULOW 
500 7% NORWEGIAN: 1847—1906 dub th he ee 


24. WINTER LANDSCAPE 


A park half-frozen stream with scattered ice flows down, expanding to 
fill the whole width of the foreground; at the.right a brick hut washed 
by the water, with a pointed snow-covered roof. The left bank with its 
long brown grass and three bare poles of trees in the foreground ex- 
tends away as far as the tangle of branches in the middle distance before 
a group of gray church with belfry, barn and red-brick schoolhouse, 
gay in the sunshine which is fast melting the snow. 


Height, 25% inches, length, 3134 inches. 


Signed at lower right, Frits THAULOW. 


Peter A. Schemm Collection, American Art Association, or duey lesa 
Mead Beck | 


JOSO ae SIR WILLIAM BEECHEY, RA. - 
thn ke hin 


BRITISH: 1753—1839 


25. HON. JANE HASTINGS 


LanpscaPE background with sky, before which is posed at half-length 
the seated figure of a lady in a rose-pink taffeta dress with slashed and 
putted bodice and short sleeves, holding a book, the right shoulder 
wrapped in a white cloak. The head, facing the observer, is inclined - 
slightly to the right and wreathed with dark curls bound with a crimson 


fillet L 
x PN edd: 30 inches; width, 25 inches. 


Collection of Viscount Melville, Lasswade, Midlothian, Scotland. bn | | 


| meHMAKLES VAN LOO ™ Peo 
650 7 FRENCH: 1705—1765 Pies 


26. MADAME FAVART, DE LA COMEDIE FRANCAISE 


SEATED half-length figure facing the spectator, of the actress, dressed in 
a loose robe of gray silk, with a rose-crimson drapery about her shoul- 
ders, her right elbow resting on a gold tasseled cushion on which is a 
spotted black and white toy dog. The hair is powdered and curled and 
dressed with green leaves, a spray of which the sitter holds in the 
right hand. Dark landscape background. 


Height, 36 inches; width, 29 inches. 


Collection of Baroness Kaula, Paris. 
Collection of E. Cronbach, Paris. 
Collection of Jules Flamain, Paris. 


Ko + i te “Brivisi: Td i: L y IY 


27. MRS. FRANKLIN y tay & aa som : i 


HALr-LENGTH, facing the observer, the head inclined to half-left, of 
a young woman in a white dress with a blue sash about the waist and 
fair curly hair dressed back away from the forehead. Background of 
brownish drapery with a vista of clouds and blue sky at the right. 


Height, 30 inches; width, 25 inches. 


Collection of L. Huth, Esq. het an Aolky 
Purchased from Messrs. Arthur Tooth & Sons. 


SIR JOSHUA REYNOLDS, P.R.A. 
/b007 


/ | BRITISH: 1723—1792 A Mlhetanit 


28. MISS DRAYCOTE 


BusT portrait, the head inclined to the left, of a lady in a sky-blue | 
dress, draped loosely about the shoulders with a sapphire, blue velvet 
cloak lined with ermine, the robe decorated with edging and bow-knots 
of olive-yellow silk. A strong light from the upper left falls on the 
face and bosom, illuminating the pale rounded contours of the for- 
mer, in which a pair of deep brown eyes seem almost startling in their 
contrast of tone; while the majesty of the head is accentuated by the 
dark hair dressed away from the white forehead. 


Height, 30 inches; width, 25 inches. 


Miss Draycote, a noted so iety b auty, became afterwards Cou.tess of Pomfret. 


Collection of the late the Rev. William T. Penfold-Dixon, Eastbourne, — | 
and Woodvale Lodge, Upper Norwood, London. i 


Arthur Tooth Cone American Art Association, 1925 rive is 


| . WILLIAM OWEN, R.A. 
| If0 4 ae ee AA, 
t BRITISH: 1769—1825 VSS, 


29. MISS ELIZABETH FREEMAN 


A GRACEFUL composition painted at half-length facing towards the left, 
of a young lady dressed in white and seated in a crimson velvet arm- 
chair before a golden-brown drapery. The small head is in careful 
' repose, the brown eyes looking towards the observer from beneath a 
fringe of short brown hair. 

Height, 30 inches; width, 25 inches. 


_ Elizabeth Freeman was afterwards the wife of Thos. Heathcote, Esq., eldest son of | 
Sir Wm. Heathcote, Bart. | 


Collection of Sir Robert Peel, Bart. 4 cada begun | 


Purchased from Messrs. Arthur Tooth & Sons. 


JOHN OPIE, R.A. oH. feck | 


: X00 pe BRITISH: 1761—1807 


| | 30. PORTRAIT OF A GIRL WITH A SHEAF OF WHEAT 


SEATED figure facing left, the face turned towards the spectator, of a 
‘young girl dressed in brown, her hands clasped over her knees and a 
sheaf of wheat lying in her lap; the brown hair is confined under a straw 
bonnet with a blue ribbon. Background of brown foliage with open 


landscape at the left. 
Height, 30 inches; width, 25 inches. 


+”, 


Collection of Sir Hamilton Seymour. Yio ee ue 


FELIX ZIEM 


0004 FRENCH! 182I—19II Se 


. MARINE: THE EMBARCATION 


THe intense blue of the Mediterranean ripples lazily over ‘the brown _ 
shore of the left foreground where a long-boat laden with brightly- q 
colored figures is preparing to put out, with a cavalier and a lady about 
to take passage. At the left are vessels at anchor; in the bay, a long — 
line of lateen-rigged Venetian ships, with white sails and colored ban- — 
ners lashing in the wind and sunshine beneath a cloudless sky. In the ~ 
ee ee the sky-line takes the form of vague low hills. 


Panel: Height, 25 inches; length, 36 chee 


Signed at lower right, ZIEM. 


Purchased from Gerard Freres, Paris. 


AY GEORGE HENRY 


Brivis: Bo] ee Lia q 


32. MRS. HARRIOT, WIFE OF COLONER VA ARRIO® 


IN a crimson armchair is seated facing half-left a young woman robed ~ 
in a white dress cut low at the breast and with short sleeves puffed at 
the shoulders; on either wrist is a golden bracelet set with cabochon 
‘rubies. ‘The sitter has black ringlets curling about the handsome face, — 
a fresh complexion, blue eyes and full red lips. Painted at half-length — 
before a neutral brown wall. | 


Height, 36 inches; width, 28 inches. | 


Collection of Sir Robert Lucas-Tooth. \w Udileyiro 
¢ 


JEAN RAOUX 


I50 ol FRENCH: 1667—1734 ff fore 


33. THE SUNSHINE OF LOVE 


BEFORE a green background is a table with a bois de rose velvet drapery 
at the right; on the table is leaning a young girl painted in three-quarter 
length, with a dress of a color merging in the drapery and having a 
green bodice, her head bent down to read a love letter. The face is 
| lighted from below and set off with a brown coiffure decked with 
| flowers. 3 
| Height, 381% inches; width, 33 inches. 


| Collection of Edward W. Lake, Esq., 1837. Engraved in 1837. 
Collection of Sir William Cunliffe Brooks, London. \d pp ho 


| Purchased from Chaine & Simonson, Paris. 


P 425% OHN OPIE, R.A. Dt Ib. 
i J 


BRITISH: 1761—1807 


| | 34. PORTRAIT OF A LADY IN A WINE-COLORED DRESS 


A youne girl in a dress of dull crimson, seen at half-length and facing 
__ the observer, the right hand holding a few stalks of wheat and resting 
on a stone balustrade, the décolletage relieved by a knotted necklace 
about the throat. Brown eyes, long brown hair and an irmpudent mouth 
proclaim a kind of childish gaiety in the sitter. Background of blue 
sky. 

Height, 30 inches; width, 25 inches. 


Collection of W. H. K. Sparks, Esq., Skorgill Hall, Penrith. fo Cat i fae 


ANGELICA KAUFFMANN, R.A. 


IO q BRITISH : 1741—1807 WM by 4 : | 


35. LADY FRANCES WARREN ~~ 


PorRTRAIT at three- -quarter length, facing the observer, the head inclined 
to half-right. The lady is dressed in sky- blue silk and white muslin, with 
a pink sash and a drapery of sage-green over the right arm, which rests 
on a ledge, the right hand somewhat self-consciously supporting a fes- 
toon of flowers. The features are dominated by an extremely ruddy 
complexion which assorts somewhat oddly with the long brown hair 
falling over the shoulders and is intensified by the sombreness of the 
sky bac ckgrouna, 

Height, 36 inches ; “width, 28 inches. 


Collection of W alter Howard, Bsa, Weybridge. re pitiiloersrs | , 


S004 WILLIAM ADOLPHE BOUGUEREAU Nw Ubowvers 


wi 


FRENCH: 1825—1905 p 


bw 


| Pe , es Fed ie 
36. GIRL WITH 4 FAN GL front a 


SEATED figure facing half-left in a low armchair covered with a brilliant 
blue shawl, of a young girl in a white bodice and lapis-blue skirt, holding 
in her right hand a palm fan with Japanese decoration. The eyes are 
cast down and concealed by the lids; the nose is sensitive, the carmine 
lips full and passionate and the face framed in the unbound brown hair 
which curls over the neck. Light grayish-white background. 


Height, 42 inches; width, 28 inches. 


Signed at lower right, W. BOUGUEREAU, and dated 1905. 
Purchased from Tedesco Freres, Paris. 


nO 4 GEORGE HENRY: HARLOW Ye te A SbcL 6 


BRITISH: 1787—1819 


37. MASTER ROBERTSON 


A VIGOROUS picture of a child of four, sprawled on a rock and flourish- 
ing a riding whip in his right hand. The boy is dressed in a long tawny 
red velvet costume with white pantaloons and short sleeves bunched at 
the shoulders; the childish face, with its short brown hair, blue eyes and 
fresh complexion is in striking relief against a dark gray sky. 


Height, 36 inches; width, 28 inches. 


Collection of Colonel Craig, London. bo “%A4u 


\e 


Purchased from Messrs. Arthur Tooth & Sons. 


JOHN OPIE, R.A. 


A BRITISH: BiGt ea eOT hy. ahh 


. MISS ELIZABETH PENWARKNE 


A CAREFULLY finished portrait in half-length inclined to the right of a ~ 
young lady with long brown ringlets flowing from a black picture hat 
ornamented with large ostrich feathers; the dress of white muslin, tied — 
at the bosom with a pink ribbon. AA sense of serenity is implied in the — 
calm gray eyes, a strong nose and set lips contributing. to the aristocratic 
quality of the adornment. , 


Height, 29 inches; width, 24 inches. 


Elizabeth Penwarne was the daughter of John Penwarne, of Penwarne, near Falmouth, — 
and was born in 1760; she died unmarried in 1799. Opie painted a series of six portraits of 
members of the family, who were among his earliest patrons and intimate friends. 


Collection of the Rev. E. Penwarne Wellings. ho selalrynr 


Recorded in J.J. Rogers, “Opie and his W orks,” and said to have been 4 
painted about 1785. 


Purchased from the John Levy Galleries, New York. 


(Illustrated ) 


ea 


No. 38. Miss ELizABETH PENWARN 
(By John Opie) 


J 


L060 


SIR JOHN WATSON GORDON, R.A., P. S.A. 


BOE HON. MRS. GOWER 


PorTRAIT against a greenish-brown wall of an qubieigeees young 
lady painted at half-length, the body inclined to the right of the spec- 
tator, the head turned over the right shoulder. ‘The sitter wears a 
low-cut white muslin dress with a brown shawl draped over the right 


arm; the warmth of tone of the hair, brown eyes and tine complexion | 


give life to a very vigorously drawn subject. 


Height, 30 inches; aie 25 inches. 


Collection of H.R.H. the Duke of Cambridge. 
Collection of Lord Palworth, Mertown Castle, Roxburghshire, Scot- 


land. ie ae (Atha : | i ae 


diene 


v 


Ue ee JEAN FRANCOIS RAFFAELLI 


40. PARIS: A SQUARE 


THE sunshine falls brightly on to the white paved Place with its border 
of linden trees and the Renaissance church building behind, with a hex- 
agonal belfry tower capping the whole. In the foreground, under the 
trees, kiosks and a Guignol, and pedestrians moving about; and coming 
towards the spectator, a line of small girls with large hats, under the 
guidance of a nun and escorted by a small black-and-white terrier. 


Height, 26 inches; length, 32 inches. 


Signed at lower right, J. F. RAFFAELLI. 


Purchased from Gérard Freres, Paris. 


Scorrisi: -1790—1864 Mwth dealt | 


4 f i. 
FRENCH: 1850—1924 I, Limp) F 


a 


. GOWER 


Mrs 


No. 39. Hon. 
(By Sir John Watson Gordon) 


/500- FELIX ZIEM 


FRENCH: 182I—IgQII 


41. RIVA DELLA SCHIAVONI, VENICE. 


STICKING out from the left are the masts and lateen-spars of a Venetian 
galley, from which gondolas laden with men and women in brilliant cos- 
tumes have put across the short expanse of deep blue water to the riva 
at the right. In the clear sunshine is the square turreted block of the 
Doge’s Palace, the Molo with its two columns, the Old Library and the 
stretch of yellowish buildings along the water front beneath an incom- 
parable blue sky. 


Height, 21 inches; length, 33 inches. 


Signed at lower left, Z1EM. 


Purchased from Tedesco Freres, Paris. 


i 


i 


neopeninneca preg 


a JEAN CHARLES CAZIN 


FRENCH: 1840—1I901 AS belleg 
42. SAND DUNES 


THE foreground is of scanty grass, cut by a diagonal track with a smal! 
stunted shrub at the right; the eye is led in a zigzag path into the 

middle distance by the play of shadows, the farther ground being 
_ brightly tinted with autumn reds and yellows. A single white pool of 

cloud lies in the heavens. < 


Height, 23 inches; length, 24 inches, 


ee ae 

ee 2 
Signed at lower right, J. C. CAZIN. Aeon 
From the Georges Petit Galleries, Paris. 


Purchased from the Galeries Simonson, Parts. 


: GIOVANNI PAOLO PANNINI S| 
IO | ITALIAN: 1695—1768 BS tywuned gy 


43. CLASSIC RUINS AND SOLDIERS 


THE ruins of an Ionic temple, with fallen capitals and entablature in 
the foreground and a round-headed arch at the top of a flight of steps, 
beneath which are figures of barefooted soldiers with steel helmets and 
spears. At the left a heroic-size statue of a man, on a square pee 
Background of blue mountains and sky. 


Height, 28% inches; length, yes inches. 


Signid at lower right, PANINI. 
Collection of James Orrock, Esq., R. I., London. 


(Companion to the following) 


g yy lst, GIOVANNI PAOLO PANNINI 


ITALIAN: 169§—1768 Nn. lilank 


44. CLASSIC RUINS AND FIGURES 


THE romantic vestiges of a Corinthian edifice, with five columns of a 
peristyle standing at the right; in the background a triple arch and to 
the left a classic vase on a pedestal. In the foreground among the 
fallen masonry is a group of figures—three men and a woman, with 
bare feet and bright costumes. 


Height, 28% inches; length, 38% inches. 


Signed at lower right, PANINI. 


Collection of James Orrock, Esq., R. I., London. 


(Companion to the preceding ) 


DutTcH: 1824—I9I1 


WF JOSEF ISRAELS AY, Va 


45. THE OLD COMPANIONS 


COTTAGE interior lighted from a window at the left; next to a table in 
front of it is huddled in a rush-seat chair an old white-haired peasant in 
rough black working clothes, filling his pipe and looking stolidly down 
at the mastiff sitting motionless in front of him. At the right a smoky 
fire fills the room with shadow; the head, however, is thrown into 
pitiful prominence by the abrupt stream of sunlight. 


Height, 24 inches; length, 29 inches. 


From the Edward T. Stotesbury Collection, Philadelphia. 
Purchased from the Schaus Galleries, New York. 


PAULI DOUGHERTY, NLA. 


$00 aa AMERICAN: 1877— Kell hisk 


46. “4ISLE OF THE SEA,’ MULLIOM COVE, conn cel 


‘Ar left -and right, jagged str athe’ rocks, those at the left in shadow, a : 
those at the right touched with pinks and yellows from the sun. 
Through the entrance to Mulliom Cove, a great sea thunders diagonally A 
into the right foreground, with a wash of white sgheen brilliant i in the . 


sunlight. a 
Height, 36 inches; length, 48 hee ey 4 
Signed at lower left, PauL DouGHERTY, and dated 1910. | 
Purchased direct from the artist, 1912. | , 


Collection of Alexander C. Humphries, American Art Association, < q 


1917. $f loo- 2'50 brid b. rnd 
Collection of Mrs. F. C. Brown, New York. 


(Illustrated ) 


CORNWALL 


q 
’ 


* MULLIOM Cov 
(By Paul Dougherty) 


E OF THE SEA, 


iNOw40,,.. AIS. 


JOHN HOPPNER, R.A. 


Soo BRITISH: 1758—1810 bh .E homers J | 


47. MISS JANE TYNDALL 


Ar the left, a crimson curtain, parted to give a glimpse of blue sky — 
behind. Before a dark background, the half-length figure of a slender + 
young girl with a full white bodice and dark skirt, the youthful face 
fringed with a wealth of fair curly hair, the features delicate, with blue 
eyes, straight patrician nose and small scarlet lips. 


A | he t Height, 30 inches; width, 25 inches. g 


' Miss Tyndall was the favorite niece of Viscount Melville, and was painted by Hoppner 4 


on order of Viscount Melville in 1809, the picture being delivered in that year. In 1810 
it was hung in the latter’s castle at Lasswade, Midlothian, Scotland, where it remained in 
the possession of the family until purchased by Messrs. James Connell and Sons of London 
with several other portraits, at the dispersal of the late Viscount Melville’s estate. 


GEORGE HENRY HARLOW 


; Kooa BRITISH: 1'789—1819 b ple yy 3 


48. MRS. MONTAGUE OXENDEN MIDDLETON 


A PORTRAIT of one of the most beautiful women of her time, painted at 
half-length before a background of deep blue sky with a fragment of 
red drapery at the left. Mrs. Middleton is clad in a white decolleté 
robe with puffed sleeves and tiny waist, with a species of plaid cloak 


flung negligently over the left shoulder. A cluster of brown curls frames 


the perfect face; the blue eyes and full lips glow with the vivacity of a 
witty personality, conscious of its attractiveness. About the graceful 
neck are four strings of pearls. 

Height, 30 inches; width, 25 inches. 


Collection of Geo. Mitchell, Ardlui, Co. Dublin. 


Purchased from Williams & Sutch, London. 


MARIE DIETERLE 


KIO ty 3 FRENCH: 1860— he Me Meany 


mon ca TT LE 


THE pasture grass is enriched with patches of violet clover; in the fore- 
ground, a group of two brown and white cows, a calf and a second calf 
of pure white, are staring stolidly at the observer. Behind, on the right, 
a tall pyramid of green trees: in the left middle distance, a prospect of 
meadow pasture. The sky is of pale ultramarine, strewn with swaths 
of white cloud. 


Height, 26 inches; length, 32 inches. 


Signed at lower right, MARIE DIETERLE. 
Purchased from the Allard Galleries, Paris. 


| 975" 4. NICOLAS DE LARGILLIERE cM. tock 


FRENCH: 1656—1746 


50. MADEMOISELLE DE SCUDERY 


A porRTRAIT in classic taste of a young woman seated at half-length and 
facing the observer; clad in a rose-red bodice over a lawn robe, with 
dark blue skirt. The left arm rests on a pedestal at the right with books 
and papers, the right hand being poised and holding a quill. The curly 
hair is dressed with pearls, and about the white neck is a drab scarf. 


Height, 34 inches; width, 2634 inches. 


Signed at lower right on pedestal, LARGILLIERE. 


Combermere Abbey Collection. 
Charles of London Collection, American Art Association, 1920-863 - PLDI Newell 


oy 
0 


JACQUES LOUIS DAVID 


b50- FRENCH: 1748—1825 HM heasnar lip 


§1. MARQUIS TERANGELI 


A ROMANTIC portrait before a valley landscape with a tree at the right, 
of the distinguished essayist, seen in half-length seated on a terrace and 
facing towards the observer. ‘The sitter is clad in a blue coat with brass 
buttons, white waistcoat and jabot, and holds on his knee a bound copy 
of the Essai sur la France. A clean-shaven face is distinguished by a 
long nose, brown eyes and thin white hair. 


Height, 32 inches; width, 25 inches. 


Collection of the Duc de Beauffremont, Paris. 
Collection M. E. Magnian, Paris. Wor aatv 


SIR HENRY RAEBURN 


BRITISH: 1756—1823 


S80 Ag X ferdind 


52. DR. JOHN MACDONALD A v g 


BEFORE a dark greenish-brown background is seated in a red armchair 
the portly figure of a man in middle age, painted at half-length and fac- 
ing half left. The sitter is dressed in black coat and vest with white 
lawn jabot and wears short powdered hair. ‘The rounded fleshy face 
is characterized by blue eyes, full petulant lips and a brilliant healthy 
complexion, lighted from upper left with careful modulation. 


Height, 36 inches; width, 28 inches. 


Collection of James Cowan, Ross Hall, Renfrewshire, Scotland. ‘co eati®@sq 


ELLIOTT DAINGERFIELD, N.A. 


_ ff00-+ AMERICAN: 1859— 


J 53. THE OFFERING 


AN allegorical theme, symbolizing the triumph of Christianity over the | 
Pagan civilizations. At the left is seated the figure of the Madonna in | 
colorful flowing robes beneath the branches of an oak; before her stands 
on a fallen capital the nude Child receiving a wreath of victory from 
the third member of the group—a knight in armor who has dismounted 
from his horse and stands with bared head in profile to the left, making 


fy 


his offering. 
Height, 32 inches; width, 40 inches. 


Signed at lower left, ELLIOTT DAINGERFIELD, and dated 1913. 


An interesting autograph letter concerning the origin and symbolism of the above, 
signed by Mr. Daingerfield, will be given to the purchaser. 


NARCISSE VIRGILE DIAZ DE LA PENA 


ly Zoo _. FRENCH: 1807—1876 ee A 


fos. LE VIEUX CHENE 


A HARMONIOUS composition in browns and russet-red, of country thickly 
Overgrown with a tangle of stunted bushes and saplings, thinned by 
autumn and, in the centre, a magnificent oak with spreading branches 
of brown leaves, forming a triangular lattice-work against a sky of ex- 
‘quisite delicacy. Beneath the branches of the tree, a small herd of 
cattle is pasturing in the scanty herbage. 


Height, 24 inches; width, 36 inches. 


Signed at lower left, N. Diaz, and dated 1862. 


Staats-Forbes Collection, London. 


/700 - JOHN HOPPNER, R.A. Mew te Hoh 


BRITISH: 1758—I1810 


55. LADY GRISELDA STANHOPE 


AGAINST a greenish-gray background, the half-length seated sane fac- 
ing the observer, of a lady with fair hair partly hidden under a black 
bonnet, a black bodice with marabou collar and white fichu and a gray 
satin skirt, her hands encased in gloves and crossed in her lap. A woman 
in the thirties, of tranquil temperament, the blue eyes with a steady, 
even gaze. : ut 
Height, 30 inches; width, 25 inches. 
Collection of the Earl of Dudley. ae . 
Collection of the Marquess Townshend, Hove. fro Oe 


fie ni ais GTEBERT STUA Rain | ! 
/$ 004 AMERICAN: 1754—1828 Jobs H Mea 


J BO. dVE ed 1A ee) od Nae Pak BEEK te 


A CHARACTERIZATION of great interest, of a man in late life, expressed 
with extreme vigor. ' The sitter is seen at three-quarter length facing 
half-right, and-seated in an armchair before a gray wall with a curtain | 
of dull red at the left; the coat, vest and breeches are of silvery black — | 
with a white jabot at the neck, not diminishing the strength of the face, — 
which lies in the kindly blue eyes, thin shrewd lips and florid well-pre- 
served complexion, belying the scantiness of the gray hair. In the left 


hand the old man holds a snuff box. 
Panel: Height, 34 ee width, 2614 inches. 


Isaac Van Der Beek (1743-1833) was orien on November 27, 3767, in 1 Patersdh: N. Js 
where he resided until after the Revolution, when he and his wife removed to New York. 
Their daughter, Ann Van Der Beek, married Mr. Walker, member of an old New York 
family and their daughter Anna, General Gilbert Ogden Fowler. The above picture is 
from the collection of Miss Elizabeth Fowler, youngest daughter of the General’s deceased 
wife. The picture has been endorsed by the American expert, Jonce I. McGurck; a 
photograph authenticated and signed by him will be given to the purchaser. 


(Companion to the following) 
(Illustrated ) 


EEK 


t) 


No. 56. Mr. Isaac VAN DER B 
(By Gilbert Stuar 


GILBERT STUART 


J300 a ) AMERICAN: 1754-1828 tile he yy > 


Oe MRS. ISAAC VAN DER BEEK 


Tue wife of the sitter in the preceding number, painted at about ‘the 
same time. A comprehensive background of dull crimson drapery is 
spread behind the hale figure with its prim brown dress and white 
neckcloth and gloves and black gauze shawl; the lady is sitting stoutly 
upright and is painted in three-quarter length facing half left. The 
powerful face, distinguished by a large nose and strongly-marked cheek 
bones, is shrouded in a white mob cap, under which straggles a fringe 
of hair. 


Panel: Height, 34 inches; width, 26% inches. 


Mrs. Isaac Van Der Beek, the daughter of Martin Ryerson and Amantze Van Rypen 
(1751-1825) was married on November 27, 1767, in Paterson, N. J., where she resided until 
after the Revolution, when she removed to New York. Her daughter, Ann Van Der Beek, 
married Mr, Walker, member of an old New York family, and their daughter Anna, Gen- 
eral Gilbert Ogden Fowler. ‘The above picture is from the collection of Miss Elizabeth 
Fowler, youngest daughter of the General’s deceased wife. The picture has been endorsed 
by the American expert, Jonce I, McGurck; a Enon anh authenticated and ene by him 
will be given to the purchaser, 


(Companion to the preceding) 


(Illustrated) 


57. Mrs. Isaac VAN DER BEEK 


No. 


(By Gilbert Stuart) 


JAMES McNEILL WHISTLER y, y, fof ; 
$000 T i df F 
AMERICAN: 1834—1903 a 


58. LADY ARCHIBALD CAMPBELL AS “ORLANDO” 


AGAINST an olive-green background, the full-length figure in profile to 
the right, the head turned towards the observer, of a young lady in 
dark green doublet and hose, and open V-collar, on her head a brown 
cap. The face and neck are lighted from the left, the rest of the 
body being in deep shadow. 

Height, 55 inches; width, 19 inches. 


Mentioned in the “Life of James McNeill Whistler’ by E. R. and J. 
Pennell, 1919, p. 214: “Among others he made in oils an im- 
pression of me (Lady Archibald Campbell) as Orlando, in the 
Forest Scene of ‘As you Like It,” at Combe. He considered this 


successful.” 


Illustrated in “James McNeill Whistler” by Nathaniel Poucette-Dart, 
New York, 1924. : 


The above-mentioned books will be given to the purchaser. 

An autograph letter from Joseph Pennell, dated Brooklyn, 30. X. 1922, reads in part as 
follows: “. . . One thing—as I have no doubt of the. painting—and want to catalogue it—is 
that you would send me the dimensions, and when you do get a proper photo I hope you 
will be good enough to let me have that. Of course, the picture is genuine.” (This letter 
will also be given to the purchaser.) 


Hy 
(Illustrated ) 


| 
: 


No. 58. Lapy ARCHIBALD CAMPBELL 
AS “ORLANDO” 


(By James McNeill Whistler ) 


- THEODORE ROUSSEAU 4 | 
IS0O 4 | FRENCH: 1812—1867 Aft 4 
s9. LE BUCHERON ET SA CHARRETTE [vse 


A Forest glade with a road ringed about by the bare trunks of noha: 
trees, with a last mass of greenery on a beech at the right; beneath it 
is the wagon from which the woodcutter, in blue shirt and white trous- 
- ers, has unyoked the white horse, which stands sleepily 1 in the sunshine. 
The woodcutter’s wife, in a blue dress with a red cap is standing among 
the grass opposite, watching him. ‘Through the tangle of branches 
of foliage can be seen a pale sky. 


Height, 18 inches; length, 28 noes 


Signed at lower right, TEE Rees 


Accompanying the above is a photograph, with a MS. authentication 
signed by Felix Gérard and endorsed by Monsieur Georges Petit, 
which will be given to the purchaser. 


From Félix Gerard, Paris. 
Collection of Mrs. Bernheim, Jr., Paris. 


(Illustrated) 


(nvassnoy asopoayy, Sg) 
ALLAWAVH VS Ld NOwdHONG AT “6S ‘on 


2b. 007 ANTON MAUVE 


\ 
~ Durcu: 1838—1888 $s aanefead 


/ 60. SHEEP ON dA GRAY DAY \we 


A COLD morning light fills the wide expanse of desolate brownish-green — 
pasture land, swept by the wind from a gray sky. In the centre of 
the foreground a huddled flock of sheep, facing away from the spec- a 
tator, and their shepherd in rough black clothes. The sky line un- = 
dulates with the movement of a ribbon of green forest. 


gsr 20 inches; length, 28 faces 


Signed at lower right, A. MAuvE, f. 
From the Edward T. Stotesbury Collection, Philadelphia. 


Purchased from the Schaus Galleries, New York. 


(Illustrated ) 


Tat an Re OE 


No. 60. SHEEP ON A Gray Day 


(By Anton Mauve) 


mits 


SIR: JOSHUA. REYNOLDS, Puke 


BRITISH: 1723—1792 CM Adecsvo 


@ 


Zboo a 


612 COUNTESS OF SHIPBROOK 


WAIST-LENGTH portrait facing the observer, the head turned almost in 
profile to the right. The lady is wearing a loose robe of gold-brocaded 
ivory silk, tied with a bluish-green sash about the waist and with an 
ermine-edged blue wrap thrown over the shoulders. The throat is gar- 
landed with two rows of pearls; the long hair of the sitter is done 

in curls hanging low on the neck and the fine features are lighted softly 

from the left against a grayish-green background. | , 4 | 


Height, 30 inches; width, 25 inches. 


Collection of the Earl of Shipbrook. Jw al atirgpa 


A photograph, endorsed by Messrs. James Connell & Sons, and which 
will be given to the purchaser, contains the following particulars: 


“Burke’s Peerage—(extinct) Sir Joshua Reynolds, Countess of Shipbrook—page 555.” 
“The second son, Francis Vernon, Esq., of Nacton, co. Suffolk, M.P. for Ipswich, was created 
April 7, 1762, a peer of Ireland as Baron Orwell of Newry, co. Down, and January 28, 
1777, made Ear] of Shipbrook. His lordship married Alice, daughter and co-heir of Samuel 
Ibbetson, Esq., of Denton Park, co. York, but d.s. p. in 1783, when the honours became extinct. 
Orwell Park was eventually sold by Lord Shipbrook’s heir, Sir Robert Harland, Bart. to 
the Domline family, then passed into the possession of James Connell & Sons, 47 Old Bond 
Street, London.” 


James CONNELL & SONS. 


(Illustrated ) 


EY Aah WRT ERT OEE hi gi 
eee il te 


ei hc he 


ssuiiianiaieael 


No. 61. COUNTESS OF SHIPBROOK 
(By Sir Joshua Reynolds 


aR LENR RAP ROR NE 


SCOTTISH: 1756—1823 1 SR ta o 


/G 00 @ 


| 2. PORTRAIT OF MR. CRAWFORD OF GLASGOW 


A vicorous half-length, before a variable greenish-brown background, 
of an elderly man with ruddy face, shrewd lips, and spectacles pecinel q 
ona large nose, with gray hair curling over his ears. The sitter is clad | 
in a long brown coat with large buttons, starched white waistcoat and | 
a white muslin jabot tied over the full chin. | 


Height, 29) inches ; eave 25 ‘inches o i 


Caleenon a Lord Chief Justice Inglis of Scotland. 
Raeburn Exhibition, Edinburgh, 1876. . 
‘Momioned in Sir William Armstrong’s and Grieg’s book on Raeburn 


Purchased from Messrs. James Connell and Sons, London. : 


(L/lustrated ) 


No. 62. PorTrair oF Mr. CRAWFORD OF GLASGOW 
(By Sir Henry Raeburn) 


LEON AUGUSTIN LHERMITTE 


Zloos KM. oa 


FRENCH: eee ee 
Oo, BLANCHISSEUSES 4U BORD DUNE RIVIERE 


On the right bank in the left foreground with its patches a Hates q 
and yellow sun-tones, are five women—three erect and standing by a ~ 


barrow, the other two kneeling on the bank and beating the wet linen, a 
In the middle distance beyond the brown reeds, is, first, a ribbon of: a 
emerald; behind, a sunlit coppice of trees, and in the distance the white s 
houses of a village clustered under the shoulder of the hills and eres P| 


ing in the sunshine. 


Height, 23 inches; lee a: inoltes 


Seon at lower left, L. LHERMITTE. 


Purchased from the John Levy Galleries, New York. 


(Illustrated ) 


be S 


ERE 


UNE RIVI 


Lhermitte) 


’ 


BorD D 


CHISSEUSES AU 


BLAN 


No. 63. 


son Augustin 


eon 


(By L 


CHARLES EMILE scala 


ra GOO tt 


FRENCH: 1813—1 894 


45s 
64. THE APPROACHING STORM A yp oe 


Ruccep dark pasture, with masses of oaks and heechee at. lett, 
right, the grassland broken by boulders and ending at the shores of a 
lake in the middle distance. Along the road running diagonally away 
from the right foreground a shepherd in a blue smock is hurrying his 
_ flock with the aid of a black sheep dog, in face of the black s storm clouds 

piling up in the sky. _ 2 
bale 1814 H9- Le hoo 1a git a inches; length 39 inches. 
Coon at lower left, CH. JACQUE. | 
Collection of Sir Horatio Davis, Lord Mayor of London. 
French Exhibition, Guildhall, London, 1898.-*7©- 


- Collection of Messrs. Scott and Fowles, 1907.43 -S3boo - a 


Collection of Stanley P. Gifford, 1913. - $113 _ $2/50 Adllana 


Purchased from the estate of the late J. T. Sperry, 1917 8/500 5250 I 


a 4 


(Illustrated ) 


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JOHN HOPPNER, RA. 


tye, cnt oA 


6s. MRS. WESTERN 


AGarnstT a dark neutral bankorcunn the portrait of a young lady a Ay 
auburn hair, painted at half- length and facing the observer, the head q 
bent down towards the left. [he dress, of white muslin, with bunch J 
sleeves, is in pale contrast to the warmth of the complexion and brown — 
eyes and the scarlet mouth with its slightly protruding underlip. 


Height, 30 inches; width, 25 inches 


Mary, daughter of Thos. Burch, Esq., of Bermuda; cianteds 1794 Thos. Western of ‘ 
painestone Park, Suffolk, and Alham, Essex, Rear Admiral ; died August 22, tah ea 


Collection of Sir Thos. Charles Callis Western, Felix Hall, Essex, 
1913 #9KM~¥ 072 -10-0- fata GO iad 


Collection of Sir Hugh Lane, Bart. 1917-# G8 - L9EK-0-0 Bait 


i 


Recorded in the supplement to McKay and Roberts’ “John gee vr 
R.A.,” 1914, p. §1, and illustrated, p. 42. : 


Purchased from Jas. Connell & Sons, London. 


4 (Illustrated ) : 
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TERN 


No. 65. Mrs. WEs 


(By John Hoppner) 


SIR THOMAS LAWRENCE, PRA 
Brrtisit: 1769—1830 Shs lf ae 


66. LADY GEORGINE NORTH 


25 0: ad 


Po ot ee ue 
2 he 


Bust portrait, facing the observer, of a Baer in a white ear, leay- . 
ing bare a finely modeled neck and shoulders lighted from above; the 
beautiful head is wreathed with glossy black hair and the gray eyes and 
parted lips give animation and intelligence to the flushed eager face. 
Neutral brownish background. 7 
Height, 30 inches ; width, 25 inches. a 


Lady Georgine North was the voungest daughter of the third Earl of Guilford. 
Collection of Lord North. 
From Agnew & Sons, London. 


From Eugene Cremetti, London. 


From James Connell & Sons, London. 


(Illustrated ) 


No. 66. Lapy GEorGINE NorTH 
(By Sir Thomas Lawrence) 


[000 + SIR JOSHUA REYNOLDS, ‘P.R.A. 


BRITISH: 17231792 EE Ih ! we 7) 


67. JEAN, COUNTESS OF HYNDFORD (175776 


SEATED figure at half-length, in almost full profile to the left, in a _ 
maroon velvet chair and before a neutral greenish background. The 4 
dress is of green and lavender brocade edged with lace and cut low in 3 
the neck, which is bedecked with a dog-collar of pearls tied with a 
ribbon at the nape. The thin oval face, with its exquisite nose, carefully 
trained eyebrows and pursed lips is the embodiment of aristocratic re- 
straint; even the hair is dressed tightly back, though surmounted by a - 
somewhat frivolous leaf ornament. ‘The sitter is engaged in winding _ 
wool from a ball on to a bobbin held in the right hand. ey oe 


Height, 30 inches; ee 25 inches. a 


Inscribed at upper left, JEAN, CouNTESs oF HyNpDForD (1757). 
Recorded in Sir W. Armstrong’s “Reynolds.” 


Engraved by James McArdell in mezzotint, 1759, a copy of which 
engraving 1s to be sold with the picture. 


Collection of David H. King, New York. ight fitoce- Kb. Ba Ve 


(Illustrated ) 


HyNnprorD (1757) 


COUNTESS OF 


07. \EAN, 


No 


Joshua Reynolds) 


ir 


(By S 


IS, GEORGE ROMNEY, R.A. 
eg 2 BRITISH: 1734—1802 we. 


68. LADY MARY W ALDEGRAVE 


A YouNG girl in a simple white muslin dress with a pink Att neal 
at half-length and facing to the right of the spectator; background of _ 
sky overshadowed by brown foliage. ‘The youthful rounded cheeks are) mm 
set off by a mass of high-dressed and powdered hair; the face is flushed a 
and ardent. | 


Height, 29%. inches at ar 4 


An autograph letter to Messrs. Connell & Sons, signed by Mr. William Roberts, the ae 
English expert, reads as follows: “The picture which I saw in your gallery today is — cs 
undoubtedly that of Lady Mary Waldegrave described in my catalogue raisonné of Roney eo 
works, P. 163. It is a most charming example of that artist’s portraiture .. . ‘Toe 
writing to America, I shall be obliged if you will ask for a photograph of the. picttive: 1 oe 
one for myself to go with my Romney collection and another for the Print Room, British ~ 
Museum, where it is most desirable that such portraits be represented by photographs and 
engravings.” Signed, W. Roperts. (This letter will be given to the purchaser. ) 


Recorded in Humphry Ward and W. Roberts’ “Romney,” Vol. 2, page 
LOR: 


Purchased from the family by Messrs. P. and D. Colnaghi and Co., 
London. 


Collection Fischoff, Paris. tvs An Lin teho 
Collection of T. W. Wright, Beas Liverpool. /443-$ [#9 - £99-18-01 
Purchased from Messrs. T. Agnew and Sons, London. 

| , (Illustrated ) 


o. 68. Lapy Mary WALDEGRAVE 
(By George Romney) 


CHARLES EMILE JACQUE 


200 |  FReNcH: me. 
69. LE SHEPHERD ans | pe ink: ae 7 


Tue light sprinkles the silvery trunks and filters through the foliage 
of three oaks which occupy a knoll where a shepherd is watching his 
flock; clad in a soft drab hat, pale blue blouse and olive-green trousers, 
the man stands in front of the middle tree, leaning forward on his 
staff. His dog sits with his back to the spectator, watching three year- 
ling lambs, one of which is eyeing him cautiously. Other sheep areq 
scattered over the summit, which is enclosed with a fringe of oaks. 


Height, 32 inches; length, 2534 inches. 


Signed at lower left, Cu. Jacque, and dated 1875; 

Collection of Dr. Fournier, Paris. 

Hermann Schaus Collection, American Art Association, 1912. 424 $ 
(Illustrated ) ae “te Jia 


pol 0G Sele Jan irfgrs 
pO ae ~2]oo 


No. 69. THE SHEPHERD 


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le Jacque) 


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(By Charles 


JEAN-BAPTISTE CAMILLE COROT | 
[e00% | FRENCH: 17961875, Allee | Me ‘i 


70. LES RUINES DU CHATEAU DE PIERREFONDS dn h. , 


THE left foreground is carpeted with grass, among which a footpath 
winds through a coppice of slender trees, their delicate foliage mask- 
ing the ground behind. The bank is washed by the quiet. waters: 
a lake, and a flat-bottomed boat with the figures of a man and a wom 
is putting to the shore. In the centre of the scene is a swelling hill si 
mounted by the great sunlit mass of the chateau with its square towers 
and rounded bastions, imposing its bulk as the guardian of | ‘themre i 
roofed village below, cradled among the woodland i in the right. middl 
distance and ecDme in the summer sunshine. : é 


Height, 29 eS: length, 42 inches. i 


This picture, painted from nature abel 1840-45, was altered by Corot a eile before 
1867. In the initial composition a valley occupied the right foreground with a solitary figure 
of a peasant; in Corot’s refashioning of the scene, this gave place to a pond with the ~ 
boat placed near the shore and two figures substituted for the single original. A photog tag 3 
and an engraving made in 1853 have rendered the composition in its original form. 


Exposition Universelle, Paris, 1867, numéro 167, collection de Drouii- q 
lard. . 


Collection Meélas; Hotel Drouot, April 1874, April 1876. 


[llustrated and authenticated in Robaut, “LCiuvre de Corot,’ Numéro — 
475, in 1ts original state and with a sketch by Monsieur Robaut 
of its present form. 


From the Georges Petit Galleries. | 
PF. O. Matthiessen Collection, American Art Association, 1902-MSS-) a 


(Illustrated ) 1, 3, Le 
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PETER PAUL RUBENS 
P7007 FLEMISH > 1577—1640° 


71. ARCHDUKE ALBRECHT OF AUSTRIA 


AN important portrait, a variant of the well-known wore! in he St 
museum in Vienna, of great virtuosity and distinguished by a free 
of the powerfully colored background. The face is painted with g 
care and precision of values and planes and the pose is identical 
that of the Vienna portrait of Rubens’ patron. The Archduke 
dressed in a pierced black velvet coat over a waistcoat with long sleeyv 
of silver brocade; about his neck is a white ruff and the chain of 
royal Order. On the chest beside him at the left is disposed his plum 
black velvet hat. The left hand clasps the hilt of a sword, and t 
proudness of the pose is fulfilled in the arrogant set of the head wi P, 
its brown moustache and beard, frowning brows and stiff black hair. 4 
The whole of the background i: is painted a deep flaming scarlet. | 


Height, 45 inches ; width, 33 inches. 


Theuillier Collection, The Hague, Holland, in the XVII I Century. 
Collection Van Oldenbarneveldt, The Hague. | og 
Collection of Lord Ailwyn, Hampton Hall, Net England ia a1 


(Illustrated ) 


No. 71. ARCHDUKE ALBRECHT OF AUSTRIA 
(By Peter Paul Rubens) 


JAN A. VAN RAVESTEYN 


00 + tae Doren: ace 


72. PORTRAIT OF A NOBLE LADY (1619) 


A BEAUTIFUL three-quarter length portrait of a nabteane cout 1 
in a black dress with a stomacher embroidered in gold and a gold | chain 
about the waist, a stiff white ruff and Van Dyck lace wrist-bands; the 
textile stuffs are meticulously and beautifully painted with careful atten- 
tion to the play of light on their surfaces. The hands fall easily. ‘to. 
the side, the right holding a pouncet box suspended from the chain 
about her waist. The face is round, rosy-cheeked and ennobled by a a3 
pair of sincere brown eyes, the tightly drawn auburn hair being 3 “ 
off by a white crescent-shaped headdress. vee 3 


Panel: Feige 44 inches ; Be 34 inches. 7 


Dated at upper right, 1619. 
Collection of Count Mnizech, Paris. 
Collection of R. D. Evans, Boston. Yo dotibiyu 


(Lllustrated ) 


Lapy 


PORTRAIT OF A NOBLE 


No. 72 


Van Ravesteyn) 


(By Jan A 


| FERDINAND BOL 
Duren: 16r1—1681 fg 


5700 + A 


73- PORTRAIT OF A LADY 


biehed hair surmounted iy a cap aa sae 
in a loose dress of Beye black ang, has on 


Signed at the left, F, Bot, » FECIT. 


Collection of John Julius Angerstein, Bay foun 
| Gallery. 


ebtieetion fe the Earl of Ashburrahianms 


Collection of the Duchesse de Sagan, Paris, 


(Illustrated) 


inand Bol) 


PORTRAIT OF A Lapy 
Ferd 


oKE 
(By 


No 


SIR JOSHUA REYNOLDS, P.R.A. 


«4000 7 BRITISH: 1723—1792 E Yn Ip. 


74. ‘FRANCES SEYMOUR, WIFE OF JOHN? : 
MARQUESS OF GRANBY q 


HALF-LENGTH hgure, seated in a chair covered with a crimson drapery, 
of a lady clad in a loose white muslin négligée with an ermine- edged 
cloak about her shoulders. The face is cupped in the right hand, the ~ 
right elbow resting on the arm of a chair, the expression of the brown — 
eyes thoughtful and absent. A small oval face is set off by brown hair — 
dressed in a chignon and a collar of pearls about the neck. Background — 


of clouded sky with tree-forms at the left and right. — 3 


Height, 30 inches; width, 25 ce ’ 


The following is an extract from an account written by ise English er hicea century 
expert, Mr. William Roberts, on the above: “Lady Frances Seymour, daughter of Charles, 


Sixth Duke of Somerset . . . . born July 8, 1728, married September 3, 1750 John, Mar- 4 
quess of Granby, . . . . the Marchioness of Granby sat to Reynolds in 1757, 1758, and 
1759 and it is probable that the artist made a number of sketches of her. ... . Of a por- 


trait which now belongs to the Earl of Wemyss, innumerable engravings have been made. 

A second portrait of the Marchioness of Granby (the above) was purchased from Rey- 
nolds by the Duchess of Somerset on September 12, 1763, for which the sum of £.42 was paid. — 
‘This portrait was bequeathed by the Duchess of Somerset, who died in 1773, to her second = 
daughter—and remained in the family until 1881, when it was sent to Christy’s June 3, but 
was withdrawn by the Earl of Aylesford and by him sold to W. Henry McCalmont, from— 4 
whose collection it now comes . . . . The picture is in an exceptionally good condition, — 
and apparently has not been touched since it left the artist’s studio. The portrait is men-— 
tioned in nearly all books on Reynolds, and is described in Algernon Graves’ and W.V. 
Cronin’s ‘History of the Works of Sir Joshua Reynolds, P.R.A.,’ 1899, p.390, and in Sir 
Walter Armstrong’s ‘Reynolds,’ 1900, p. 209, London, August 12, 1924.” Signed W. — 
Roserts. (This MS. account will be given to the purchaser.) 


From Messrs. Williams & Sutch, London. 


(Illustrated ) 


GRANBY 


MARCHIONESS OF 


(By Sir Joshua Reynolds) 


| 
No. 74. FRANCES SEYMOUR, 


. a 
Ee Fh. 


SIR THOMAS LAWRENCE, PB. R.A. 


TES | BRITISH = 17691830 fe XK bu ase ae 


75. COUNTESS OF BLESSINGTON | 


PorTRAIT at three-quarter length, slightly inclined to He Sane of : 
the famous mistress of Byron, clad in a white satin dress with high 4 
waist and low-cut bosom with short sleeves; the sitter is posed inca a 
fauteuil with a cloak of gray fur dropped over it, against a wall re- a 
lieved at the left with a dark pillar and a tiered drapery. The beau- i 
tiful neck is decked with pearls and a thin gold chain supporting a 
medallion which is thrust into the corsage; the small fine head, with 
its sleekly brushed and knotted hair, is turned towards the upper left i: 
to display the molding of the cheek and the sensitive nose and sence = 
brogan eyes. ar 


Leight, 36 inches ; width, be inca a 
De Ridder Collection, Paris. Wo wm: nuke) , 3 


Purchased from the Kleinberger Galleries, Paris. 
(Illustrated) 


) 


ence 


CouUNTESS OF BLESSINGTON 
ir Thomas Lawr 


752 
(By S$ 


e 


No 


Li | JOHN HOPPNER, RA. 
aed ae 


BRITISH: 1758—1 810 Lh. 


76. EWAN LAW 


s\, Pons of great ae and brilliance. ‘The sitter is sprinted at 


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Height, 30 inches; width, 35 “inches. a 

_ An Nisa letter signed by Algernon Law, a descendant of the sitter, ona ce al i 
be given to the purchaser, reads in part as follows: “Ewan Law was the third son ‘of ‘the a 
Right Reverend Edmund Law, Bishop of Carlisle... . . . born October 9, 1747, at Great 
Salkeld .... .. At an early age he entered the service of the East India Company and ; 
held many appointments in India, including the Chief Commissionership at Patna . ance : 
He was M.P. for Westbury, 1790-95 and for Newtown I. O. W. 1802...... tinal 
friend of Warren Hastings, whom he warmly defended in the House of Commons. It was. "a 
partly owing to him that his brother Edward became leading counsel for Hastings during | 
the celebrated impeachment. Ewan Law died at Little Horsted, Sussex, April” 2.9, 1829. 
tee . His portrait sold May 1st, 1919, at Midhurst passed up to that date through the 
following hands William John Law (his son) ... . . . his grandson and ‘grand- Ms 
daughter, Henry Towey Law and Gertrude Law. .... . and hay to the widow: of 
Henry Towey Law. May 7, 1719.” Signed, ALGERNON Law. f pe 


1.9 See NOTE TY ue TE LS 


(Illustrated) 


No. 76. Ewan Law 


(By John Hoppner) 


FRANCIS COTES, R.A. 


ISO 4 BRITISH: 1726—1770 4p tbo ny 


TTR ELIZABETH JVOQLLEY 


PoRTRAIT against a gray-green background, of a dark-haired lady seen — 
at half-length, inclined to half-left and seated in a crimson chair, her 
right elbow resting on a table. ‘The sitter is dressed in white muslin 
with a plaid sash about the waist and a lace corsage; the coiffure is in 
rolls in the manner of the period, and is decked with a gold brocaded 


gauze scarf. 
Height, 30 inches; width, 25 inches. 


The picture bears inscription at upper right as follows: “Elizabeth 
Woolley, B. 1745. Ob. 1770. Mard. Jo. Sage of Thornhill, 


Dorset.” 


Collection of Lord John Thynne, Hayes, Beds. 


Yo , JOHN JAMES MASQUERIER 


BRITISH: 1778—1855 Ah Mnonthak 


78. HON. JANET MELVILLE 


-Berore a background of sky and foliage, a young girl in a high-waisted 
white dress, with short sleeves and a crimson drapery about the shoul- 
ders, seen in three-quarter length to the left, her face turned towards 
the observer. Under the strong lighting the roundness of face and 
bosom is emphasized; the large brown eyes, the rosy cheeks and the 
short curly brown hair contribute to an impression of rustic health. 


Height, 40 inches; width, 32 inches. 


Janet Melville was the daughter of Henry Dundas, first Viscount Melville, who was 
portrayed by Romney, Raeburn and Reynolds, 


Collection of Viscount Melville, Lasswade, Midlothian, Scotland. 
Purchased se ae ae Be Tooth & Sons. 


ee 


SIR THOMAS LAWRENCE, P. R.A. 


, 00+ . BRITISH: shee Wi, eM Z 


79. HON. MRS. LENNOX 


HALF-LENGTH seated Hareetene half-left and against a background — 
of clouds revealed from behind a parted crimson drapery, of a young © 
woman of perhaps twenty-eight years. ‘The sitter is clad in a white 
muslin costume with puffed sleeves and a narrow crimson sash, with — 
a golden-yellow scarf draped over the left arm; the hands are clasped — 
together, the right elbow leaning on a balustrade. A distinguished ~ 
face is enlivened by large gray eyes, a fresh complexion and a tiny — 
red mouth, the broad forehead crowned by curly dark hair straggling ~ 
in delightful abandon. Lighted brilliantly from above, the upper part — 
of the background being in partial darkness. 7 


_ Height, 30 inches; width, 25 inches. 


A MS. note signed by Mr. William Roberts, the English expert, which will be given ~ 
to the purchaser of the above, reads as follows: “This is a beautiful example of Sir 
Thomas Lawrence’s work; obviously much truer to life, or, in other words, less idealized 
than many of his portraits of ladies of fashion. It reminds one of the superb portrait, 
frequently engraved, of Lady Wallscourt, and like it dates from about 1825—1826. It is a 
portrait which will adorn any collection, public or private. London, August 25, 1925.” : 
Signed, W. Roserrs. 


Purchased from the John Levy Galleries, New York. 


(I llustrated ) 


No. 79. Hon. Mrs. LENNOX 


(By Sir Thomas Lawrence) 


Aa nd Z 


FRANCIS COTES, RAL | 
S00 “7. RD oe oni Brivisi: ee ee 


80. THE DUCHESS OF HAMILTON | 


A PORTRAIT Of great dignity, ef a young woman in, a pari of ta 
crimson hung with pearls and with a tailed ermine wrap draped abo 
her shoulders and clasped loosely between the fingers of the right h 
The finely modeled face is inclined to half- right and lighted by a ru 
glow resembling firelight; the dark wispy hair is dressed high and 
ears are adorned with large pearl drop earrings. Even olive-gre 
background. ees | 
Height, 30 inches; seidth, 2s inches > 

The Duchess of Hamilton was the mother of Lady Charlotte. the wife of Hie: eleventh 
Duke of Somerset. ee 


On the back is pasted an ora label of directions reading as fol 
lows: “This is to be sent to the Duke of Somerset, Hamilton a and 
Brandon. This is READ: picture of the Die a Somerset's 
Mother. July 1811.’ 


Collection A. Rousseau, Paris. ns mee . 
Collection of Charles Kaufman, Esq., London. wo Rockabye 


(Illustrated ) 


= 


\ 


No. 80. THE Ducuess oF HAMILTON 
(By Francis Cotes) 


600 =~ oh ERs COTES, RA. v4 dh 
: BRITISH: aie 


of. 


81. MRS. ‘GEORGE ROGERS OF SOUTHAMPT Nis 


BEFORE a romantic background of trees and storm-clo 
quarter length figure of the lady, engaged i in the more 
tion of watering with a bronze ewer a flowering plant 
right of the picture. She is robed in a voluminous dr 
silk caught up with the right hand, with lace sleeves ‘ 

a blue sash. ae ee 
a eight, 50 inches; suid 40° 


Mrs. George Rogers was the daughter\of Jonathan Hee founder of the 01 
able Vauxhall cans in London. 


ee on “ree Give pis ue Cores Pxr. 1768. 


Arthur Tooth Collection, American Art Asiodistiogt 1925. J 
Purchased ue Leggatt Brothers, London. 


‘(Ilustrated) 


No. 81. 


Mrs. GEORGE ROGERS OF SOUTHAMPTON (1768) 
(By Francis Cotes 


| SIR WILLIAM BEECHEY, R.A. @ 
S50 4 BRITISH: 17531839 L-~¢ Vboorexd | 
82. PRINCESS SOPHIA, DUCHESS OF GLOUCESTER 3 


A GRACEFULLY posed three-quarter length of a young woman dressed 
in white with a green belt, facing half-left and leaning with her right 
elbow on a pedestal at the corner of a stone balustrade. ‘The neck is 
low and the sleeves of the gown short, in the manner of the period. 
showing white fiesh decked with gold ornaments; the head is turned to 
face the spectator and two brown-gray eyes look out from under short 
brown curly hair concealed beneath a flowing gauze scarf. Back- 
sround of brown foliage curtaining a blue sky and landscape. 


ed eed 1 iitata eee 


Height, 50 inches; width, 40 inches. 


Collection of Lord Ailwyn, Honingham Hall, Norfolk. 


NICOLAS DE LARGILLIERE 


J/00 = FRENCH: 1656—1746 ee fe) 


83: MADEMOISELLE DE BLOIS d U 


A LANDSCAPE, with a background of trees and clouds and a fountain at 
the left, beside which is standing the three-quarter length figure of a 
young girl clad in a blue and white dress with a crimson drapery and 
edged with lace, with a gold ceinture. UHer left hand rests on a stone 
balustrade, her right holds a branch of wild flowers. 


Height, 46 inches; width, 36 inches. 
Collection of Count Ravenel, Paris. 
From E. Cronbach, Paris. 
From Richard Verrier, Paris. 


eo ——— — 
a a ee i el Tl eS -  T 


{ 
| 
| 
t 


‘4 CONSTANT TROYON 
hi | ae 


a 1810—1865 


84. FONTAINEBLEAU: LANDSCAPE AND .C4TEL El a 


x 
ge ab ~ 


AN emerald meat, ik kept like a lawn, pith a background c 


the foreground, ae rahe converging. hes a eee ; 
up to which a girl in white peasant blouse, red bodice and blue gs 
is leading two black and white cows. The afternoon sun Dene 
scene from the direction in which the spectator is” looking. 


Height, 4 inches; fetal a inc 


Signed at lower left with initials, C. “ie and dated 1848. Ni 
Purchased from t the artist i M. Tales Chase Paris. : 4 Bt 


ie —— = 
ce pa catemnapaaateriipe - shoube 


leries, Philadelphia. 


ne pe 
tpi 


Panama-Pacific International Exposition, 19 Is. 


“(astra 


#1 St Li day sme hat | 


Se SS oe Se ee ee 


Se 


SAIN Sg 


Sel a ae ea 


(woot, quvjsuoy &g) 
ATLLV) GNV ddVOSAGNV’] :NVATFANIVINOY “Vg ‘ON 


So sks Woes ‘Britisu: apsp—819, 


85. “LADY CATHCART AND CHILDREN 


THE countess is dressed in white muslin eit lowe 
her curly black head tied up in a white mob-cap 
Painted at three-quarter length, she holds in her 
baby, the two other children in short-sleeved cos e 
her right arm. She is posed looking steadfastly t 
crimson curtain setting off the filmy white dre S 


~~ 


H fe, 50 incl 
Cie cfc a the Right Fon. the Earl of Chiche : 
Purchased fier ase Come & Sons, London 


é 2 | Pgh | _(Ulusrated) a 


ND CHILDREN 


Har 


Lapy CATHCART A 
(By George Henry 


No. 85 


low) 


boo fe . : 


. MISS JULIA HOPWOOD 


Vannes green background, aes a hisa ste : 
filled with flowers as at the left. be a 


beneath a -coiffure oF brown hair d dressed ani 


yee Height, on He 


Collection n of ¢ General Bulwer; N Norfolk. 


shy 


me by 
e ie ‘i . 


86. Miss JuLt1a Horpwoop 


No. 


Cotes ) 


a 


‘AaANCI 


(By Fi 


“ 


/b60 Bite BRITISH: (os ae 


Collection of Baroness Kouthy Paris, a distaie relative of the Gordons. 


SIR THOMAS LAWRENCE, PRA. we 


$7. (eds, DUCHESS OF GORDON AND CHILD” 


In the most distinguished manner of a fashionable pane The group 
is formed of Lady Gordon in a wine-red velvet décolletage with chiffon. 
sleeves, facing half-left and clasping lightly the hands of her little 
daughter who is seated on a table beside her at the left, and quaintly 
robed in a white muslin miniature of her mother’s costume with a 
sky-blue sash. The left hand of the child reaches up to touch a rose 
in her mother’s corsage; the blue eyes and ruddy brown hair repeat 
the eyes and hair of the great lady, with her black hat and ostrich 
feather and air of worldly dignity. Dark backgon ad of ak with, 
the bole of a tree at the left. 

| Height, oe inches ; width, 40 inches. 


Collection of Lord Townshend Fito England, from cehom i. was 
| pg A 
(Iitustrated) 


No. 87. THe Ducuess oF GORDON AND CHILD 
(By Sir Thomas Lawrence) ih 


a a na 


pearls; the tes ee, Tine 1S 5 surfiounted: ips a 
curled feathers and the brown eyes look 
tator. Background of Ionic marble columr 
left. 7 ieseeea Ts 


sch enters Os llustrated Oe cle 


oe 
VO ee hee 2 


a non Ec te 


Mary LILLIAN SCOTT 


N 
(By Allan Ramsay) 


ioe 8s. Lure To 


7 


J 


MICHEL JANSZEN VAN MIEREVELT 


A fom DutcH: 1567—1641 Pls. to | 


89. PORTRAIT OF A NOBLEMAN 


A DARK green background, and a table with a scarlet cloth throw into | 


contrast the dignified three-quarter length figure of a man dressed in 


a black coat trimmed with fur, with a stiff white ruff and wrist-bands 
and holding in the left hand a pair of gloves, the right resting on the 
hip. he face is intelligent, with brown eyes, moustaches and small 
pointed beard and the scanty brown hair of a man in the late forties. 


Panel: Height, 48 inches; width, 36 inches. 


Collection of Count Mnizech, Paris. 
Collection of R. D. Evans, Boston. 


FRENCH: 1667—1734 


JEAN RAOQUX s : 


90. GIRL WITH A CAPTIPESSI ee 


AGAINST a gilded Verona marble table at the right, before which is a 
fragment of blue curtain, is leaning a young girl in a brown shot taffeta 
dress billowing up to reveal a red underskirt. In her left hand she 
is holding a string tied to the leg of a small captive bird at which she 
is looking up with a mocking cruelty. In her hair and corsage are 
wild flowers. 

Height, 46 inches; width, 32 inches. 


With this picture will be given an original XVIII Century line engraving of the 
subject. 


Collection of Baron von Meyer, Antwerp. 


NICOLAS DE LARGILLIERE ~ 
L506 7 _ FRENCH: 1656—1746 Yap: i EOD 


P ot. MADAME PERRONEAU 


_ Berore a background of wall and column is the three-quarter length 
i figure, facing half right, of a lady in a dress of wine-red velvet trimmed 
_ with lace, emerging as it were from a blue cloak lined with ermine and 
holding in her left hand an allegorical broken bow, in her right, a 
_ vestal torch. ‘The thinness of the face is increased by the height of the 
brown coiffure, which, with the tightness of the stomacher, achieves 
an effect of surpassing slenderness. 


Height, 46 inches; width, 35 inches. 


Collection of Hermann Fleury, Paris. 


~ Collection of Louis Roederer, Havre. 


MELCHIOR D’HONDECOETER 


}! 4/8 — DurcH: 1636—1695 Hh he Seancar, ly 


92. EXOTIC BIRDS 


Lanpscapr with dark rolling country, extending to distant blue moun- 
tains. In the foreground, trees at the left and a flowering shrub, 
before which is a group of gaily plumaged cockatoos, hens, peacocks 
and smaller birds, sitting, flying or perched on a brown stone pedestal 
at the right. 

Height, 40 inches; length, 50 inches. 


Collection of F. W. Burton, Esq., Hove, England. 


SIR WILLIAM BEECHEY, R.A. a 
AE BRITISH: 1753—1839 df fabled 
93. MISS DINAH CHASE — 


THREE-QUARTER length figure, dressed in white and facing away from 
the observer, the head turned over the right shoulder, the left arm 
wrapped in a golden-yellow drapery and resting on a balustrade, the — 
right hand holding a printed paper carried up to the chin. The face, 
that of a young girl of perhaps fifteen, with short cropped hair, brown — 
eyes and straight nose, is lighted from above against a mass of brown ~ 
foliage, into which merge the outlines of the coiffure. a 


Height, 30 inches; width, 25 inches. 


Collection of Lady Forbes, London. | mo | 
Purchased from Messrs. Arthur Tooth & Sons. aq 


FRANCIS COTES, R.A. , | 
J000-4 Ww Nh tol yg 
. =| 


: BRITISH: 1726—1770 
94. LADY HAETH = | 


AGAINST an olive-green background, the half-length figure inclined to 
half-left and facing the observer, of a lady in a loose rose-pink négligée 
lined with white and with a plaid sash around the waist, the right elbow 
resting on a pedestal and the cheek supported by the right hand. The 
lines of the face are softened by a tangle of dark brown hair which is 
loose and flows in a wave over the right shoulder. The blue eyes have 
an expression of great intentness, emphasized by the fullness of the 
lips. me 
Oval: Height, 2814 inches; width, 24 inches. | 


Collection of the Earl of Clarendon. 


GEORGE B. DOWNES 
BritisH: Exhibited in the Royal Academy 
ISO | from 1770 to 1775 4b Seamed fy 


9s. GENERAL GEORGE MORRISON 


SEATED figure in three-quarter length, of a military officer in scarlet 
coat and knee-breeches, with waistcoat and facings of black velvet 
braided with gold and white at the wrists and neck; the fat good- 
humored face is crowned by a white bob wig, the right arm is thrust 
pretentiously into the waistcoat and the left rests on a table covered 
with a green cloth, with a copy of “An Act for the Better Ordering 
of the Militia Forces” of the reign of George II. 


Height, 48 inches; width, 38 inches. 


Collection of the Countess of Strafford. 


BRITISH: Betis. 


THOMAS GAINSBOROUGH, R.A. y) ptard 


96. THE EARL OF DERBY, K.G. ; 


HALF-LENGTH figure facing the spectator, the body inclined to the left, 
of a gentleman in a dark blue coat with brass buttons and white jabot 
at the throat, the full florid face beneath a careful coiffure of curly 
gray hair. Background of red drapery, hung before a gray wall seen 


at the left. 
Height, 28 inches; width, 24 inches. 


Collection of James Orrock, Esq., RI., London. 


ALLAN ‘RAMSAY, R.A. 
00 = * SCOTTISH: I713—1784 Aft ; i 


a: 97. LADY MACKINTOSH 


A DIGNIFIED three-quarter length painting of a lady in the early 
twenties, clad in white satin, with short sleeves tied with pink ribbons 
and holding loosely about her a blue satin wrap; the right hand, hold- 
ing a sprig of oak leaves, rests on a brown stone pedestal at the left 
before a landscape background. A typical Scots face, with auburn 
hair, straight nose and gray eyes looking fearlessly out from the canvas. 


Height, 50 inches; width, 40 inches. 


Collection of Sir W. Cuthbert Quilter. 


Wai GAINSBOROUGH DUPONT hhh , a 
BRITISH: 1767—1797 - | 4= 
98. LADY MARY MERCER ELPHINSTONE | 


RoMANTIC three-quarter length of a young woman in green and yellow 
muslin dress, short sleeves and a filmy black wrap, her hair loosely 
coiffed under a black picture hat with an ostrich feather and peacock- — 
blue ribbon. The right hand rests on a low stone balustrade, the back- 
ground being of broadly sketched foliage and sky. | 


Height, 52 inches; width, 41 inches. 


Collection of John Corbett, Esq., Dulwich. 
Collection of R. Almack, Esq., Longmelford, Suffolk. 


PRN Cb SACO LES. Rea. 


| I50 - BRITISH: 1726—1770 loa te 


99. MISS HARNDEN - fe oe 


UNDER a tree at the left a brown stone classic urn and pedestal, against 
which is leaning a young lady dressed in a pale green costume with 
a sky-blue wrap about her shoulders, her left hand resting on her right 
wrist and her brown hair dressed high in the manner of the period, 
away from a white forehead. Prospect at the right of wooded land- 


_scape and russet hills. 
Height, 50 inches; width, 40 inches. 


Collection of the late Col. Wm. Pinney, Somerset. 


Purchased from James Connell & Sons, London. 


RESE 


EP 


ND 
na 


- 


tS gar Ne 
Pol Bane, 


= : 


LIST OF ARTISTS REPRESENTED 
AND THEIR WORKS 


BEECHEY, Sir Wiriiam, R./. 
The Hon. Jane Hastings 
Princess Sophia, Duchess of Gloucester 


Miss Dinah Chase 


BOL, FERDINAND 
Portrait of a-Lady 


BOUDIN, Louis EUGENE 


Havre, France 


BOUGUEREAU, WILLIAM ADOLPHE 
Girl with a Fan 


CAZIN, JEAN CHARLES 
Sand Dunes 


CHANDLER, J. W. 
Mrs. Franklin 


GLAIKVAL, b. 


Carnations 


COROT, JeaN-BaPTISTE CAMILLE 
Landscape at Morning 
Les Ruines du Chateau de Pierrefonds 


COTES, Francis, R.A. 

Elizabeth Woolley 

The Duchess of Hamilton : 
ae Mrs. George Rogers of Southampton (1768) 
| Miss Julia Hopwood 

Lady Haeth 

Miss Harnden 


CATALOGUE 
NUMBER 


25 
82 


v3 


72 


36 


27 


CATALOGUE . 
NUMBER 


DAINGERFIELD, Extiott, N.24. 


The Offering $3 
DAUBIGNY, CHARLES-FRANCOIS 

Paysage au Temps Gris a 
DAVID, Louis JACQUES 

Marquis Terangeli ap 
DE BOCK, THEOPHILE 

hee @ak 16 
DECAMPS, ALEXANDRE GABRIEL 

La Sortie 8 
DE LARGILLIERE, Nicoras 

Mademoiselle de Scudeéry 50 

Mademoiselle de Blois 83 

Madame Perroneau gI 


DELPY, HippoLtyTeE CAMILLE 
Matinée de Printemps, Pres de Vernay eae 


D’HONDECOETER, MEtcuior 


Exotic Birds 92 
DIAZ DE LA PENA, Narcisse VIRGILE 

Effet de Nuit 4 

Vaches en Pature IO 

The Forest 14 

Le Fardeau 21 

Le Vieux Chéne 54 


DIETERLE, Martz 
Cattle 49 


DOUGHERTY, Paut, N.2A. 
‘Aisle of the Sea,’’ Mulliom Cove, Cornwall 46 


DOWNES, GEorcE B. 


General George Morrison 


DUPONT, GaAINsBoroUGH 
| Lady Mary Mercer Elphinstone 


DUPRE, Jutes 
Landscape 


GAINSBOROUGH, Tuomas, R.A. 
heemarl of. Derby, K. G. 


GORDON, Sir_Joun Watson, R.d., P.RS.A. 


Hon. Mrs. Gower 


HARLOW, Gerorce HENRY 
Mrs. Harriot, Wife of Colonel Harriot 
Master Robertson 
Mrs. Montague Oxenden Middleton 
Lady Cathcart and Children 


HARPIGNIES, Henri Josepy 
Landscape with a Bridge 


~HENNER, JEAN JAcQuUES 
Nymph 


HOPPNER, Joun, R./. 
Miss Jane Tyndall 
Lady Griselda Stanhope 
Mrs. Western 


Ewan Law 


4 ISRAELS, Joser 
The Old Companions 


_ JACQUE, Cuartezs, EMILE 
The Approaching Storm 
The Shepherd 


CATALOGUE 
NUMBER 
95 
98 
PI 
96 
39 


ae 
Sd 
48 
85 


2. 


JONGKIND, JoHANN BarTHOLD 
Inland Canal, Holland 


KAUFFMANN, ANGEtIcA, R./. 
Lady Frances Warren 


LAWRENCE, Srr THomas, P.R.A. 
Lady Georgine North 
Countess of Blessington 
The Hon. Mrs. Lennox 
The Duchess of Gordon and Child 


LHERMITTE, Lion AvcGustIN 


Blanchisseuses au Bord d’une Riviere 


MARAIS, ApoLPHE CHARLES 
The White Cow 


MASQUERIER, JoHN JAMES 
Hon. Janet Melville 


MAUVE, ANTON 
Sheep on a Gray Day 


MICHEL, GEorGEs 


Paysans en Chemin 


MOREAU, AprIEN 
Fete Galante 


MOUCHAUT, Louts 
The Halt in the Desert 


OPITE sl OiNweR a7. 
Portrait of a Girl with a Sheaf of Wheat 


Portrait of a Lady in a Wine-colored Dress: 


Miss Elizabeth Penwarne 


OWEN, Wittiam, R.d. 
Miss Elizabeth Freeman 


CATALOGUE 
NUMBER > 


60 

17 “4 

ce | 
9 

30 

34 

38 


a u © all < bate + i 


PANNINI, Giovanni Paoto 
Classic Ruins and Soldiers 
Classic Ruins and Figures 


RAEBURN, Sir Henry 
Dr. John MacDonald 
Portrait of Mr. Crawford of Glasgow 


RAFFAELLI, Jean Francois 
Paris: A Square 


RAMSAY, Attan, R.A. 
Hon. Mary Lillian Scott 
Lady Mackintosh 


PeNGER Eenky, Warp. V7. 
Sky, Dunes and Sea 


RAOUX, JEAN 
The Sunshine of Love 
Girl with a Captive Bird 


REYNOLDS, Sir Josuva, P.R.A. 
Miss Draycote 
Countess of Shipbrook 
Jean, Countess of Hyndford (1757) 


CATALOGUE 
NUMBER 


43 
44 


” 


-_ 


62 


40 


88 
Jal 


20 


Frances Seymour, Wife of John, Marquess of F Granby aia 


ROMNEY, GeorceE, R./. 
| Lady Mary Waldegrave ~ — 


ROUSSEAU, THEODORE 
Le Bucheron et sa Charrette 


RUBENS, PETER PAUL 
Archduke Albrecht of Austria 


SANCHEZ-PERRIER, Emi Lio 
La Rive du Lac 


7 


71 


STUART, GILBERT 
Mr. Isaac Van Der Beek 
Mrs. Isaac Van Der Beek | 


THAULOW, Frits 
Winter Landscape 


TOURNIERES, Rosert Levrac 
Portrait of a Lady with a Blue Cloak 


TROYON, CONSTANT 
Fontainebleau: Landscape and Cattle 


[NN LOOM CHARLES ; 
Madame Favart, de la Comédie Francaise 


VAN MIEREVELT, MicHeLt JANSZEN 
Portrait of a Nobleman 


VAN RAVESTEYN, Jan A. 
Portrait of a Noble Lady (1619) 


WHISTLER, James McNEILL 
Lady Archibald Campbell as Orlando 


WIEGAND, Gusrave ADOLPHE 


Indian Summer 


~ ZIEM, Eerix 
Marine: The Embarcation 
Riva della Schiavoni, Venice 


CATALOGUE 
_ “NUMBER 


som 
ST 


> 


a || 


, ee 
4 
s . 
‘ 
e 


. 
41 


APPRAISALS 


FOR ENITED ESTATES AND STATE TAX 
INSURANCE AND OTHER PURPOSES 
CATALOGUES OF PRIVATE COLLECTIONS 


eA pPRAISALS. The American Art Association, Inc., 
will furnish appraisements, made by experts under its direct 
supervision, of art and literary property, jewelry and all 
personal effects, in the settlement of estates, for inheritance 
tax, insurance and other purposes. 


CATALOGUES. The Association is prepared to suppie- 
ment this appraisal work by making catalogues of private 
libraries, of the contents of homes or of entire estates, such 
catalogues to be modeled after the fine and intelligently 
produced Sales catalogues of the Association. 


Upon request the Association will furnish the names of 
many Trust and Insurance Companies, Executors, Admin- 
istrators, Trustees, Attorneys and private individuals for 
whom the Association has made appraisements which not 
only have been entirely satisfactory to them, but have been 
accepted by the United States Estate Tax Bureau, the 
State Tax Commission and others in interest. 


The AMERICAN ART ASSOCIATION 7 INC. 
MADISON AVENUE» 56rx to 57TH STREET 


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